Vague Visages Short Stories: Don’t Smoke in Bed by D.M. Palmer
Vague Visages Short Stories #3: Don’t Smoke in Bed by D.M. Palmer (Sheffield, UK)
Vague Visages Short Stories #3: Don’t Smoke in Bed by D.M. Palmer (Sheffield, UK)
“Whatever its genus, ‘In Vanda’s Room’ is one harrowing motion picture… It is also one of the best films from the past 20 years.”
“There’s plenty to appreciate in ‘Frank & Lola,’ and it’s far from a bad film. However, the story beats feel awkward and random.”
“He’s still planting seeds and still stoking fires.”
Vague Visages Short Stories #2: The Correct Frequency by D.M. Palmer (Sheffield, UK)
“How are we doing here, folks? Does any of this make a lick of sense?”
Vague Visages Short Stories #1: Cherished Swan by D.M. Palmer (Sheffield, UK)
A Column on Love and Erotica in Cinema by Justine A. Smith
“Played in 2016, it’s eerily prophetic.”
“It reminds me of Ingmar Bergman films and the inspirational depression that I love.”
“‘Fear and Desire’ is more than just a curio for the Kubrick completist. It is indeed a genuinely revealing work.”
“‘Elle’ is a demented Rorschach test of the highest degree.”
“AML is giant leap forward, as the juvenile raps/punchlines of previous records are replaced with deep-felt yearning.”
“Whereas Lonergan interrogates the realities of grief with sober restraint, ‘Personal Shopper’ director Olivier Assayas plunges viewers right into his protagonist’s bereaved headspace.”
Mike Postalakis on the 1978 Fiasco ‘The Star Wars Holiday Special’
A Column on Film Criticism by Justine A. Smith
“Ethereal with an eye roll, Bagg seems to have materialized from a Zach Braff vision board. Her voice is soothing, a tossed-off Julie Andrews.”
“Tropes and archetypes are global, fitting into different national contexts while carrying with them the memory of their international itineraries.”
“No longer tasked with putting the missing pieces of action, intrigue and effects together in our heads, the artifice of Bond is gone forever — and with it, any room for playful interpretation.”
Marshall Shaffer Interviews Iconic Indie Cinematographer Fred Elmes