Berlinale Review: Hamy Ramezan’s ‘Any Day Now’
“‘Any Day Now’ is a strong contender within the Generation strand of the Berlinale, showcasing brilliant performances from Keshvari and Rönkkönen.”
“‘Any Day Now’ is a strong contender within the Generation strand of the Berlinale, showcasing brilliant performances from Keshvari and Rönkkönen.”
“While ‘Limbo’ may not be groundbreaking with its formulaic detective narrative, the sheer sense of place and space that Cheang creates allows for a visceral cinematic experience.”
“Céline Sciamma’s ‘Petite Maman’ is a luminous ghost story that succeeds in knitting together the themes of empathy, identity and imagination.”
“Looking back on early-2000s fare, ‘Get Over It’ stands out as smarter, sweeter, funnier and weirder than many of its contemporaries…”
“Bryan Fogel’s new documentary about the murder of Jamal Khashoggi is unsurprisingly hard-hitting, but it’s the context for macro-scale geopolitics that ‘The Dissident’ communicates so well.”
“There Is No Evil’s artistry is inconsistent, but its argument is undeniable.”
“Both emotionally and narratively, ‘The Man Standing Next’ is an easy story to get lost in.”
Greg Carlson Interviews Director Dava Whisenant About Movie Collecting
“‘Raya and the Last Dragon’ welcomes a reflection on its Asian-fusion design because western adaptations of Asian culture, even with visible and vocal creative Asian input, will come with a spectrum of orientalism…”
“‘Reality fiction’ contours everything in ‘City Hall,’ from the microscopic level of scene transitions to the macroscopic level of entire sequences given deliberate framings…”
“Rather than using the violence itself as a punchline, ‘Voice of Silence’ builds a comedy of manners out of Chang-bok and his colleagues’ sensibilities.”
“For all the praise showered on Almodóvar’s later work, it lacks the wildness, freshness and exuberance of his 80s filmography, which often feels unfairly overlooked as a result.”
“The most powerful aspect of ‘Lost Course’ is how it portrays the struggle of the Wukan citizens as a general metaphor for political corruption and the futility of activism.”
Yoana Pavlova Interviews ‘Dad Made Dirty Movies’ Author-Director Jordan Todorov
“Jane Austen’s stories are already more pointed and complex than many people give them credit for, but two 2016 film adaptations took that caustic tone to new heights…”
“By spoiling God’s servants with sex, drugs and doubt, films like Almodóvar’s ‘Dark Habits’ show that earnestly criticising the Catholic Church’s crimes is not the only way to weaken centuries of unchecked supremacy.”
“It’s a delight to watch Stork think in ‘Preparations to Be Together for an Unknown Period of Time.’ Her cogitations are signaled by the darting actions of her piercing blue eyes, the slight flex of an eyebrow or the raising of a subtle and pursed smirk.”
“Mining the depths of her own hurt and regret as she does, singer-songwriter Julien Baker has positioned herself as something of a modern scholar on the second chance.”
Brian Brems on ‘The Treasure of the Sierra Madre, ‘Da 5 Bloods’ and ‘Trespass’
European Film Promotion Shooting Stars: Elle Haywood Interviews Actress Alba Baptista