“‘Influencers’ does what all great horror sequels do: it ups the ante considerably, it increases the body count, the kills become much more elaborate and the writer-director organically deepens the already-established mythology.”
“‘Other’ may not be the sharpest or most original take on childhood abuse, but there’s more than enough to keep viewers invested until the devastating denouement — especially if you’re a parent.”
“Fiala and Franz, who also co-wrote ‘The Devil’s Bath,’ aren’t interested in making viewers feel comfortable. What they’ve crafted, even more so than their breakout hit, is a tough, distressing watch by design.”
“‘Christmas Bloody Christmas’ is on a bigger scale than virtually everything else Begos has done to date, with terrific stunts and locations, and it’s heartening to witness his continued growth.”
“‘Blood Relatives’ is constantly in conversation with past vampire works without feeling the need to signpost its references. Segan is confident in the material, both onscreen and off.”
“‘Deadstream’ is an inventive, unpredictable and hugely charming found footage horror film, but it’s also a clever indictment of internet culture with a gripping, vanity-free lead performance from its co-writer/director.”
“With ‘Dead & Beautiful,’ Verbeek foreshadows the inevitable clash between the progressive leaders of tomorrow and conservative vampires who seek blood. As new generations of wealth emerge, will the enlightened prioritize reality over their personas?”