Choose Your Own Bleak Adventure in ‘Black Mirror: Bandersnatch’
“To use a gaming term, it’s got replay value, but it might leave those looking for a cohesive, more-traditional narrative choosing a different path.”
‘Zama’: Lucrecia Martel Gets Delirious
“Liminality is the coin of Martel’s realm in ‘Zama,’ and she manages to make the excruciating uncertainty of the long pause an engrossing experience for the audience…”
ArteKino Festival 2018 Review: Gábor Reisz’s ‘For Some Inexplicable Reason’
“‘For Some Inexplicable Reason’ strains for authenticity but only registers as a compendium of conventions familiar to the tired subgenre of the post-collegiate dramedy.”
A Whiplash of Multidimensional Creativity and Inspiration: ‘Spider-Man: Into the Spider-Verse’
“With all its supporting superheroes and hints of story threads, ‘Spider-Man: Into the Spider-Verse’ is bankable for sequels and spin-offs. As long as there’s creative juice for this world, any follow-up would feel inspired.”
‘The Mule’ – Not Enough to Be Clint Eastwood’s Last Stand
“‘The Mule’ will not be remembered as one of the Eastwood classics. In all likelihood, it will be boxed in with two superior Eastwood films as part of a collector’s pack.”
Review: Jennifer Fox’s ‘The Tale’
“With ‘The Tale,’ Jennifer Fox addresses a painful subject in a straightforward and clear-eyed manner.”
ArteKino Festival 2018 Review: Babis Makridis’ ‘Pity’
“What saves ‘Pity,’ and the ‘Greek Weird Wave’ as a whole, from tipping into nihilism is the humanism at its core; it is the pessimism of thwarted hopes rather than the negative drive of cynicism.”
Ballad of Lee Israel: Marielle Heller’s Excellent ‘Can You Ever Forgive Me?’
“‘Can You Ever Forgive Me?’ is simultaneously suspenseful and laidback.”
‘Hospitality’ Review: Emmanuelle Chriqui Needs More Thriller Roles
“Chriqui proves that she’s ready for the next phase in her career, whether it’s in westerns or thrillers. Take heed, Quentin Tarantino.”
ArteKino Festival 2018 Review: Cyril Schäublin’s ‘Those Who Are Fine’
“Over 71 neatly-distilled minutes, Schäublin emerges as an artist with a keen analytical eye and a knack for mischief hidden beneath layers of despondency and detachment.”
