Review: M. Night Shyamalan’s ‘Old’
“While ‘Old’ never quite fully connects emotionally, the themes inherent in the story help lend the movie the depth it doesn’t get from the performances”
“While ‘Old’ never quite fully connects emotionally, the themes inherent in the story help lend the movie the depth it doesn’t get from the performances”
Know the Cast: A Vague Visages Guide for ‘Blood Red Sky’ on Netflix
Know the Cast: A Vague Visages Guide for M. Night Shyamalan’s ‘Old’
Know the Cast: A Vague Visages Guide for M. Night Shyamalan’s ‘The Village’
“A soulful lead performance and assured direction showcases Cage’s indelible ability to make the silly into the poignant.”
‘Massacre Time’ Cast Guide: A Vague Visages guide for every main performer and character in Lucio Fulci’s 1966 movie.
‘Gunpowder Milkshake’ Cast: A Vague Visages guide for every main performer and character in Navot Papushado’s 2021 Netflix movie.
‘Gunpowder Milkshake’ Soundtrack: A Vague Visages guide for every feature song in Navot Papushado’s 2021 Netflix movie.
“Masculinity in Mann’s world is its own prison, a conundrum of duality, a question of what someone will stand for and the masks they may wear while striving for an identity.”
“Johnson doesn’t create a specific sense of place in ‘The Carnivores,’ nor does he develop the characters into anything more than cyphers for American angst that a million Sundance films have delivered before.”
Dipankar Sarkar Interviews ‘Nayattu’ Screenwriter Shahi Kabir
“The conspiratorial is everywhere in ‘Slow Machine’ but doesn’t come into focus.”
Joey Keogh on the 20th Anniversary of ‘The Fast and the Furious’
“The Djinn’s central performance is a demonically excellent tour de force, and the work’s inclusion of Islamic folklore is a welcome presence in the Christian-dominated sphere of demon-related American horror films.”
“Beautifully shot, wildly inventive and devilishly unpredictable – and with a swooning, dead-cool soundtrack to match – ‘Sexy Beast’ is well worth celebrating on its 20th anniversary.”
“Unlike many neo-westerns, which bandy hollow notions of ‘civilization’ that play out on the film’s surface, ‘Let Him Go’ runs a classical plot through a refined image of modern society.”
“‘The Conjuring: The Devil Made Me Do It’ fails to meet its potential as a thoughtful thriller that explores possession on both the supernatural and human front…”
Mannhunting #3 by Bill Bria (‘Ali,’ ‘The Insider’ and ‘Collateral’)
“Romero’s movies have a workshop feel to them, which elevates the horror to a startlingly realistic terror as if it was being documented live.”
“Deeply unsettling and profoundly frightening, ‘Caveat’ is a remarkably assured debut for Mc Carthy and a real showcase for the talents of its small cast, particularly French as the tortured protagonist.”