“While ‘Jackie Brown’ does revel in nostalgia and feature its fair share of firearms, it’s a much more subdued, nuanced and mature film than any of Tarantino’s previous works, or any other production within his entire filmography.’
“One of the greatest pleasures of ‘See You Yesterday’ is that the challenges and complexities of the jumps get better as the story unfolds.”
“If ‘Charlie Says’ marks the official kickoff of Manson-50-years-later discourse, we’re lucky that it prioritizes the insidiousness of his ideology.”
“As a whole, ‘Pulp Fiction’ hinges on the audience’s awareness of tropes, and it offers something new by subverting expectations.”
“‘Georgetown’ is far from an egregious festival bomb, but Waltz’s directorial craftsmanship lacks the flair of his performance work.”
“‘Ash Is Purest White,’ Zhangke’s latest film, is another masterful chapter of the director’s artistic journey, one that works wonderfully as a point of entry into his oeuvre.”
“Sexism and toxic masculinity are not unusual in this genre, but DaCosta’s emphasis on sisterhood and the presentation of a female point of view turn ‘Little Woods’ into a fresh, must-see cinematic experience.”
“Cagney’s sadistic lead in ‘White Heat,’ a searing 1949 crime drama from director Raoul Walsh, is something well past the norms of a conventional male protagonist — or antagonist, for that matter.”
“Perhaps dismissing von Trier’s work is the right course of action for those that have never found anything to connect to in his films. As for the rest of us (women)… the relationship will only continue to take warped, strained forms.”
“‘Can You Ever Forgive Me?’ is simultaneously suspenseful and laidback.”
“For many, McQueen’s stylishness will help excuse the rubbery plot holes, lapses in logic and farfetched surprises that might lead some to wonder how ‘Widows’ might have unfolded as a leaner, tighter operation.”
“For my money, David Lowery has been as much fun to watch as any filmmaker of his generation.”
“‘Halloween’ might be funny, but it’s also the nastiest, most violent entry in the series yet.”
“‘Salvatore Giuliano’ is a thoroughly concentrated work of formal conviction.”
“One of the great characteristics of ‘Four Flies on Grey Velvet’ and numerous other giallo films is their willingness to destabilize traditional notions of subjectivity.”
“‘Benny’s Video’ implicates us, the audience, for watching. Haneke chides the spectators, removed from the action by a screen, for their inability — or perhaps their unwillingness — to stop the violence.”
“The vomit moment in ‘Dead Bang’ is unfailingly human.”
“‘Hounds of Love’ makes an intriguing case for suggestion in place of an all-out, sensationalized show.”
“Jean-Pierre Melville’s ‘Le Samourai’ is the definition of cinematic precision. Each shot, each cut, each movement is a slice of redolent, provocative and sometimes even banal accuracy.”
“While Lang never fully embraced socialist principles over the course of his career, he always seemed to have a violent distaste for the men who stood on the shoulders of those who were less fortunate, knowing full well that social class does not correlate a strong moral conscious.”