The Maria soundtrack includes songs by Maria Callas, Aggelina Papadopoulou and Brian Eno. This info article contains composer and music supervisor details for Pablo Larraín’s 2024 Netflix movie. Check out Vague Visages’ Soundtracks of Cinema category for more soundtrack song time codes and track listings.

Maria stars Angelina Jolie as Maria Callas, a legendary Greek-American opera singer. Pierfrancesco Favino co-stars as Ferruccio, the protagonist’s loyal butler. The storyline follows Maria during the last week of her life in Paris. A composer isn’t credited for the 124-minute Netflix film; music supervisors Milena Fessmann (All Quiet on the Western Front) and Csaba Faltay selected the featured needle-drops. Here’s every song in Maria.

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Maria Soundtrack: Every Song in the 2024 Netflix Movie

• “Otello Act 4: ‘Ave Maria’ (Desdemona)” by Maria Callas, Orchestre de la Société des Concerts du Conservatoire (00:02:00): A group of people observe Maria’s corpse. The Maria soundtrack song continues as Ferruccio stands next to Bruna (Alba Rohrwacher). The music is featured again at at 00:04:00, 00:39:00, 01:11:00 and 01:23:00.
• “Norma, Act 1: ‘Casta Diva’ (Norma, Coro)” by Maria Callas, Orchestra del Teatro alla Scala di Milano (00:10:00): Maria chats with Bruna during a kitchen scene. She sings while wearing a white outfit. Maria performs for an audience during a flashback sequence.
• “Gianni Schicchi: ‘O Mio Babbino Caro'” by Maria Callas (00:21:00): Maria walks outdoors. She wears a black outfit. The Maria music is featured again at 00:26:00.
• “La Wally, Act 1: ‘Ebben? Ne Andrò Lontana’ (Wally)” by Maria Callas, The Philharmonia Orchestra (00:42:00): A Maître d’Hôtel (Christophe Favre) chats with Maria. He starts a record. The Maria soundtrack song plays from a speaker system.
• “Medea, Act 3: ‘E Che? Io Son Medea!’ (Medea, Coro, Giasone, Neris)” by Maria Callas, Orchestra del Teatro alla Scala di Milano (00:45:00): Maria travels with Ferruccio. The track sets in during a transition scene. Maria sits in a room and listens to music.
• “Why I Snort Cocaine (Giati Foumaro Kokaini)” by Aggelina Papadopoulou, Erofili Panagiotarea, Lydia Koniordou (00:48:00): The Maria music is featured during a flashback sequence. Litsa Callas (Lydia Koniordou) sings in her home. Young Callas — 1940 (Aggelina Papadopoulou) performs with her sister for two military officers.
• “Carmen – L’Amour Est un Oiseau Rebelle (Habanera)” by Aggelina Papadopoulou (00:50:00): A flashback sequence continues. The Maria soundtrack song is sung by Young Callas — 1940 for a military officer. The music is featured again at 01:14:00.
• “I Puritani, Act 2: ‘Qui la Voce Sua Soave’ (Elvira)” by Maria Callas, Orchestra Sinfonica di Torino della RAI (00:59:00): Maria chats with Jeffrey (Stephen Ashfield). She asks him if he knows “I Puritani.” Jeffrey plays a piano as Maria sings.
• “Happy Birthday Mr. President” by Marilyn Monroe (01:16:00): The Maria music is featured during a flashback sequence. Maria observes JFK (Caspar Phillipson). Marilyn Monroe (Suzie Kennedy) performs for the U.S. president during a transition scene.
• “Anna Bolena, Act 2: ‘Piangete Voi?… Al Dolce Guidami Castel Natio’ (Anna Bolena, Smeton, Lord Percy, Hervery, Lord Rochefort, Chorus)” by Maria Callas, The Philharmonia Orchestra (01:31:00): Bruna starts a piece of music. The Maria soundtrack song plays from a speaker system. Maria wears a black outfit and sings.
• “Tosca, Act 2: ‘Vissi D’Arte’ (Tosca)” by Maria Callas, Orchestre de la Société des Concerts du Conservatoire (01:46:00): Ferruccio and Bruna check on Maria. The Maria music continues during a transition sequence. Maria imagines performing with an orchestra
• “An Ending (Ascent)” by Brian Eno (01:53:00): Ferruccio walks away from Maria’s corpse with Bruna. He holds her hand. The track scores the film’s final moments and end credits.

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The Maria soundtrack also includes:

• “La Traviata, Act 1: ‘Sempre Libera’ (Violetta, Alfredo)” by Maria Callas, Orchestra Sinfonica di Torino della RAI
• “Carmen – L’Amour Est un Oiseau Rebelle (Habanera)” by Dimitris Kyriakopoulos, John Voulgaris, Nikolaos Georgedakis, Spyridon Aineias Nikas

Q.V. Hough (@QVHough) is Vague Visages’ founding editor.