Review: Christopher Nolan’s ‘Dunkirk’
“As a portrait of differing wartime experiences, ‘Dunkirk’ is too plot-oriented to be successful.”
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Vague Visages Is FilmStruck: Jeremy Carr on Andrei Tarkovsky’s ‘Solaris’
“The film goes beyond strict and narrow generic classification and touches upon something universal, something profound about undying affection and the unreliability of reality.”
Cannes Film Festival Review: Sofia Coppola’s ‘The Beguiled’
“‘The Beguiled’ plays out exactly as one might expect and never really stretches beyond its contained premise.”
Not Your Trophy: Deer Imagery in Jordan Peele’s ‘Get Out’
“With so much gold mined from one visual element, it’s safe to assume that ‘Get Out’ will continue to entertain and provoke with multiple viewings, making it a valuable addition to any film lover’s collection.”
Coffee and Cinephilia: A Conversation with J. Hoberman
Alejandra Rosenberg Interviews J. Hoberman
‘Arrival’ and the Perils of Science Fiction
“What is awkward about these reviews is how they oppose the film’s best qualities to its generic roots.”
Vague Visages Is FilmStruck: Jeremy Carr on Stanley Kubrick’s ‘Fear and Desire’
Vague Visages Is FilmStruck: A Column Devoted to the Streaming Platform FilmStruck