Collecting Movies with Raymond Rea
Raymond Rea Interview: Greg Carlson and the filmmaker/educator discuss movie collecting.
The Master’s Voice: Gregory Monro’s ‘Kubrick by Kubrick’
“‘Kubrick by Kubrick’ has the effect of placing the notoriously particular and media-shy subject in the room with the eager listener/viewer.”
Interview With Director Don Coscarelli, Author of ‘True Indie: Life and Death in Filmmaking’
Zach Vasquez Interviews Filmmaker Don Coscarelli
VV Shudder Selects: Ciara Pitts on Harry Kümel’s ‘Daughters of Darkness’
“‘Daughters of Darkness’ invites the audience into a cold, dreamlike experience that explores the versatility of desire.”
Ari Aster’s ‘Hereditary’: Hollow Horror
“What’s truly terrifying about ‘Hereditary’ is how empty it really is.”
A Community in the Dark: Dispatches from the TCM Classic Film Festival
Michael J. Casey on the TCM Classic Film Festival 2018
Vague Visages Writers’ Room: Weekend Vibes 2.23.18
Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events.
Critics in Conversation: Talking about Filmmakers and Talking with Them
Manuela Lazic and Adam Nayman on Conducting Interviews and Writing about Directors
Critics in Conversation: The Critic and the Actor
In the second part of a three-chapter conversation conducted over months via a large Google Doc, Manuela Lazic and Adam Nayman discuss acting and how film critics interpret performances.
Review: Feng Xiaogang’s ‘Youth’
“Achieving a vibrant mix of swooning sincerity and bitter irony, Feng Xiaogang’s ‘Youth’ walks the tightrope of Chinese history with a showman’s flair and a subversive wit, channelling its conflicting perceptions of the past into a single cohesive, ultimately jaded vision.”
Vague Visages Writers’ Room: Favorite Neo-Noir Films
In the Vague Visages Writers’ Room on Facebook, freelancers were asked to comment about their favorite neo-noir films in celebration of #Noirvember.
Review: Christopher Nolan’s ‘Dunkirk’
“As a portrait of differing wartime experiences, ‘Dunkirk’ is too plot-oriented to be successful.”
Vague Visages Is FilmStruck: Jeremy Carr on Andrei Tarkovsky’s ‘Solaris’
“The film goes beyond strict and narrow generic classification and touches upon something universal, something profound about undying affection and the unreliability of reality.”
Cannes Film Festival Review: Sofia Coppola’s ‘The Beguiled’
“‘The Beguiled’ plays out exactly as one might expect and never really stretches beyond its contained premise.”
Coffee and Cinephilia: A Conversation with J. Hoberman
Alejandra Rosenberg Interviews J. Hoberman
Vague Visages Is FilmStruck: Stanley Kubrick’s ‘Fear and Desire’
“‘Fear and Desire’ is more than just a curio for the Kubrick completist. It is indeed a genuinely revealing work.”
No Exit: Access and Isolation in Babak Anvari’s ‘Under the Shadow’
“‘Under the Shadow’ is an admirable film, albeit not wholly original.”
A Mother’s Twisted Love: Lucile Hadzihalilovic’s ‘Evolution’
“Elliptical and predominantly visual, ‘Evolution’ will frustrate any viewer unwilling to let go of common sense.”
At the Cinémathèque: ‘In the Realm of the Senses’ (Nagisa Ôshima, 1976)
“In the forbidden, Oshima reveals the fear of our own meaninglessness and our inability to face death as a certainty.”
Review: Mickey Keating’s ‘Darling’ (2015)
A Column by Q.V. Hough