“The year 2012 was the first in which cinema could adequately assess the material and psychological toll of the crash. The box office tells its own story: audiences were looking for saviors…”
The Art of the Score #2: Blake Howard on Spike Lee’s ‘Inside Man’
Brian Brems on ‘The Treasure of the Sierra Madre, ‘Da 5 Bloods’ and ‘Trespass’
“The 68-year-old Byrne of today is less livewire, exposed-nerve, performance-art provocateur and more professorial elder statesman…”
“One of the most effective storytelling strategies in Spike Lee’s ‘Da 5 Bloods’ is the application of the simple and elegant dichotomy.”
“As always, Spike Lee asks all the right questions, and it’s up to us to recognize that even though the answers may not be ones we want to hear, we need to grapple with them all the same.”
“‘BlacKkKlansman,’ fairly or not, will be judged as Lee’s ‘comeback’ movie. He never really left, of course.”
An Essay by Marshall Shaffer
“For all Cedric’s struggling against modernity, I can’t help but think Harambe would’ve improved this bit.”
“Profoundly funny, shocking, sad and ultimately inspiring, Spike Lee’s Chi-Raq is the rude awakening that America needs to get its shit together.”
Q.V. Hough (@qvhough) is a freelance writer and founder/editor of Vague Visages. He graduated from Concordia College (Moorhead, MN) in 2004 with bachelor degrees in Communication-Mass Media and History, and from 2006 to 2012, Q.V. (Quinn) lived in Hollywood, California. He now resides in Fargo, North Dakota.
Max Bledstein (@mbled210) is a Montreal-based writer, musician and world-renowned curmudgeon. He writes on all things culture for a variety of fine North American publications. His highly anticipated debut novel will write itself one of these days, he assumes.