“Queerness is something in ‘Sweet, Sweet Lonely Girl,’ but it feels lacklustre and performative, just used as an excuse to put further emotional despair onto Adele, just used to tease the illusion of a life where she can be loved and treated with respect.”
“Chriqui proves that she’s ready for the next phase in her career, whether it’s in westerns or thrillers. Take heed, Quentin Tarantino.”
“Whether ‘All the Creatures Were Stirring’ becomes a festive must-watch remains to be seen, but there’s enough to enjoy for it to be a part of horror fans’ yearly rotation.”
“Fargeat is almost saying, ‘well, if you want to look at her, you must look at her no matter her condition.’ It is a grotesque way of calling out the male gaze, but it is an effective one.”
“While ‘The Descent’ is grounded in female friendship and showcases the power of women without the support of men, it also highlights the futility of teamwork in such a dire situation.”
“Times have changed — Time’s Up, in fact — so why try to redo, or outdo, something that still resonates a whopping 30 years after its release, something that still feels timely and relevant? Jughead can keep the coat. ‘Heathers’ lives on.”
“‘Daughters of Darkness’ invites the audience into a cold, dreamlike experience that explores the versatility of desire.”
“I don’t believe Mushi Pro and Yamamoto’s intentions were to empower women and stand beside the women’s liberators both in Japan and in the West, but to push the envelope for what animation means as a medium.”
Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events.
“As any great piece of cinema should evoke in the viewer, Alice Lowe’s electric performance in ‘Prevenge’ makes one laugh, cry and shriek in terror.”
