Soundtracks of Cinema: ‘Backrooms’
‘Backrooms’ Soundtrack: A Vague Visages guide for every song in Kane Parsons’ 2026 movie.
‘Backrooms’ Soundtrack: A Vague Visages guide for every song in Kane Parsons’ 2026 movie.
‘The Last House’ Soundtrack: A Vague Visages guide for every song in Louis Leterrier’s 2026 Netflix movie.
‘Backrooms’ Cast: A Vague Visages guide for every actor and character in Kane Parsons’ 2026 movie.
“‘Spider-Man: Brand New Day’ thwips back into the hearts of Marvel enthusiasts, fanning the flames of both consumers and investors alike.”
“‘Disclosure Day’ has its moments in the sun, but even Spielberg’s inner child energy is limited.”
“‘Saccharine’ is an effective queer love story and a surprisingly moving tale of female friendship surviving against increasingly insurmountable odds. Let women be gross!”
‘The Running Man’ Cast: A Vague Visages guide for every actor and character in Edgar Wright’s 2025 movie.
‘The Running Man’ Soundtrack: A Vague Visages guide for every song in Edgar Wright’s 2025 movie.
’28 Years Later: The Bone Temple’ Cast: A Vague Visages guide for every actor and character in Nia DaCosta’s 2026 movie.
‘Mercy’ Soundtrack: A Vague Visages guide for every song in Timur Bekmambetov’s 2026 movie.
Woche der Kritik 2026 (Berlin Critics’ Week): Soham Gadre on ‘Beautiful and Neat Room, ‘Worry Time’ and ‘Fiction Contract’
“‘Undertone’ is inspired, unnerving and truly a future classic.”
’28 Years Later: The Bone Temple’ Soundtrack: A Vague Visages guide for every song in Nia DaCosta’s 2026 movie.
‘War Machine’ Cast: A Vague Visages guide for every actor and character in Patrick Hughes’ 2026 Netflix movie.
“‘The Singers is the only prospective crowd-pleaser in the 2026 Oscars’ Live-Action Short Film crop that doesn’t buckle under the weight of contrived plot mechanics.”
‘The Great Flood’ Cast: A Vague Visages guide for every actor and character in Byung-woo Kim’s 2025 Netflix movie.
“There’s plenty of heart to be found within ‘Another End,’ but the clunky handling of a climactic twist sadly feels emotionally and philosophically empty.”
“‘Barrio Triste’ feels in line with the energetic and floating camerawork of Stillz’s music videos he has made for several artists, but it also stands as its own sort of gritty, meandering experiment that aims to excavate spaces within a particular setting.”
“‘Somnium’ is rather predictable, as first-time feature filmmakers like Cain tend to prioritize visual design over the nuts and bolts of their script.”
“‘Jimmy and Stiggs’ is frenetic, metal AF and feels dangerous, which is something that’s sadly missing from a lot of modern horror movies.”