New Italy, Old Attitudes: Michelangelo Antonioni’s ‘Il Grido’
“‘Il Grido’ is about a man’s utter inability to comprehend the modern world and adapt to it. The end result is a hopeless, pitiful film, and that’s meant as a compliment.”
Salvation Through Cinema: Interview with ‘Boys Cry’ Directors Damiano and Fabio D’Innocenzo
Pablo Staricco Cadenazzi Interviews Italian Directors Damiano and Fabio D’Innocenzo
Cinema of Secrets: An Interview with Philippe Garrel
Julia Yepes Interviews Director Philippe Garrel
Hopes and Fears in Helsinki: Pirjo Honkasalo’s ‘Concrete Night’
“The harsh dialogue may not connect, but the visuals most certainly will.”
Coffee and Cinephilia: A Conversation with Richard Peña
Alejandra Rosenberg Interviews Richard Peña
Classes, Clashes and the City of Michelangelo Antonioni’s ‘Le amiche’
“With ‘Le amiche,’ Antonioni further bridges the gap between comparatively conservative melodrama and the groundbreaking narrative and visual abstraction he would soon unleash.”
Ebertfest 2016: Sound Some Opinions
Jacob Oller on His First Ebertfest
The Moreau Files: ‘La Notte’
“‘La Notte’ is a film very much about resignation — resigning to the fate of the monogamy and perhaps the inevitability of death.”
Q.V. Hough’s Top 10 Films of 2014
Q.V. Hough’s Top 10 Films of 2014
Sensory Deprivation and Cinema: A Chat with Kristina Buožytė and Bruno Samper of ‘Vanishing Waves’
Q.V. Hough Interviews Directors Kristina Buožytė and Bruno Samper