Why Criticism: The Inexpressible ‘House of Psychotic Women’ by Kier-La Janisse
A Column on Film Criticism by Justine A. Smith
Of Love and Other Demons: ‘Why Don’t You Play in Hell?’ (Sion Sono, 2013)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: ‘Top of the Lake’ (Jane Campion & Garth Davis, 2013)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: James Agee’s Voice
A Column on Film Criticism by Justine A. Smith
Of Love and Other Demons: ‘An Angel at My Table’ (Jane Campion, 1990)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Of Love and Other Demons: ‘The Portrait of a Lady’ (Jane Campion, 1996)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
The Conversation: Introduction and Mike Nichols’ ‘The Graduate’
A conversation on cinema between film critics Drew Morton, Landon Palmer and Justine A. Smith.
Of Love and Other Demons: ‘In the Cut’ (Jane Campion, 2003)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: Setting Up a Podcast with Francisco Peres
A Column on Film Criticism by Justine A. Smith
Vague Visages on Agnès Varda’s 88th: ‘La Pointe Courte’
“How unusual to see a woman’s perspective on love presented so plainly as Varda does in ‘La Pointe Courte.'”
Of Love and Other Demons: ‘Too Late Blues’ (John Cassavetes, 1961)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: When Podcasts Reign and 5 Essentials
A Column on Film Criticism by Justine A. Smith
Of Love and Other Demons: ‘Husbands’ (John Cassavetes, 1970)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Studio Ghibli Forever: An Initiation and ‘Nausicaä of the Valley of the Wind’
“An adventure that lives in a place outside of time, ‘Nausicaä of the Valley of the Wind’ offers a haggard reflection of humanity’s dark side before proclaiming hopefulness and love the ultimate victor.”
Why Criticism: Writing Prompts and Fiction
A Column on Film Criticism by Justine A. Smith
Of Love and Other Demons: ‘Opening Night’ (John Cassavetes, 1977)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Why Criticism: The Deception of Plain Style
A Column on Film Criticism by Justine A. Smith
Of Love and Other Demons: ‘Love Streams’ (John Cassavetes, 1984)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Stranger With My Face Festival 2016: ‘Evolution’ and ‘The Love Witch’
“Horror and femininity run hand in hand.”
Why Criticism: In Defence of the Personal
A Column on Film Criticism by Justine A. Smith