Review: Josephine Decker’s ‘The Sky Is Everywhere’
“Decker is committed to immersiveness and immediacy. Her bold and passionate choices value and validate the subjective experiences of female artists/creators toiling to figure it all out.”
“Decker is committed to immersiveness and immediacy. Her bold and passionate choices value and validate the subjective experiences of female artists/creators toiling to figure it all out.”
“Moss is nothing short of phenomenal in ‘Shirley,’ filling out her performance with a steady flow of poisonously perfect wisecracks, putdowns and insults…”
“‘Shirley’ is not just a film about the pain and struggle of creativity for all artists, but about women particularly.”
Pablo Staricco Cadenazzi Interviews ‘Madeline’s Madeline’ Cinematographer Ashley Connor
“At the risk of succumbing to the Sundance hype atmosphere, writer/director Josephine Decker may be offering a new form of altered cinematic consciousness with ‘Madeline’s Madeline.’”
Tanner Tafelski Interviews Theodore Collatos
“At times, Zefrey and Josephine seem more in love with their own clever filmmaking than they are with each other.”
“With such a powerful concoction of unconventional narrative techniques, ‘Thou Wast Mild and Lovely’ dares the viewer to touch the flame; a 95 minute summer poem of suppressed emotions and blistering paranoia.”