“In ‘Pitfall’ and ‘Crime Wave,’ two seminal films bookending the classic noir cycle, director André De Toth develops a more nuanced view of marriage and the married couple.”
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“‘Red Sparrow’ is no feminist masterwork — far from it. However, in its depiction of a male world full of predators — a patriarchal system constructed to oppress, exploit and then discard women — perhaps it offers a valuable first step towards that badly needed change.”
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“Lyne does not believe in the ‘New Man.'”
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“The film has an unusually conservative vibe for a noir, maintaining that the status quo may be boring but criminality has nothing to offer — not even carnal thrills.”
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“Ida Lupino may have thought of herself as a poor man’s Don Siegel as a director and Bette Davis as an actress, but I think that’s far from true.”
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A Series by Angelica Jade Bastién
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A Series by Angelica Jade Bastién
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