“In ‘Pitfall’ and ‘Crime Wave,’ two seminal films bookending the classic noir cycle, director André De Toth develops a more nuanced view of marriage and the married couple.”
“‘Red Sparrow’ is no feminist masterwork — far from it. However, in its depiction of a male world full of predators — a patriarchal system constructed to oppress, exploit and then discard women — perhaps it offers a valuable first step towards that badly needed change.”
“Lyne does not believe in the ‘New Man.'”
“Ida Lupino may have thought of herself as a poor man’s Don Siegel as a director and Bette Davis as an actress, but I think that’s far from true.”
A Series by Angelica Jade Bastién
