“The characters in ‘Ladies and Gentlemen, the Fabulous Stains,’ ‘Smithereens’ and ‘Suburbia’ find in punk rock a convenient shorthand for authenticity, a posture which presages its eventual absorption into the very mechanisms it sets out to oppose.”
“The director handles all the confused attraction with enough sophistication that the plot’s actual direction sneaks up in a manner that smartly defies cliche, as well as the audience’s first likely guess.”
“Despite being a well-intentioned art house film, ‘Soni’ somehow fails to create an impressionistic effect and often feels cliched. But what’s commendable is the character treatment by the debutant director, Ayr.”
Pablo Staricco Cadenazzi Interviews ‘Madeline’s Madeline’ Cinematographer Ashley Connor
“Oftentimes, shorts will hammer home their endings, but Peiro executes his conclusion quickly, and with full confidence.”
“It’s commendable that Kawase tries to bridge the gap between the West and the East by writing a story that attempts to transcend both time and any kind of racial differences.”
“This is a moody, thoughtful and impressively weird debut feature from White.”
“‘I Do Not Care If We Go Down in History’ provides historical context of a brutal period not known to many, and facilitates a discussion of Romania’s pro-Nazi involvement in the Second World War. But narratively, Jade’s film achieves little.”
“Even if ‘Ben is Back’ tries a little too hard to ramp up the stakes, the fact remains that Hedges and Roberts’ performances make for an incredibly powerful on-screen relationship.”
“A rare co-production between China and Japan, ‘Complicity’ is a timely feature that fits perfectly in our current political climate, especially as Chikaura urges viewers to lend a helping hand despite the most unfavourable circumstances.”
