On Coming Out and the Importance of Representation in ‘Love, Simon’
“Representation matters, and this film matters, even though it’s far from perfect. In times like these, ‘Love, Simon’ should be celebrated.”
“Representation matters, and this film matters, even though it’s far from perfect. In times like these, ‘Love, Simon’ should be celebrated.”
“In the end, the humor fades away in favor of political machinations, but the film’s killer gags are still numerable.”
“While messy in parts and offering more of a sprint than a narrative marathon, there is great heart and ferocious energy in this cartoonish caper.”
“‘Bringing Up Baby’ delves joyfully beyond the stiff pretences of modern life to reveal the wild and lustful animal that still lies beneath the surface.”
“Screwball comedies don’t get much funnier, or screwier, than Howard Hawks’ ‘Twentieth Century.'”
“The Maries, and ‘Daisies’ itself, are quintessential fruits of the Czech New Wave, deconstructing social hierarchies while embodying the free-flowing, iconoclastic ethos that roused and buoyed 1960s Czechoslovak cinema.”
“Maybe this war of innocence is one that’s never really won or lost. Maybe we just take life one battle at a time.”
“As any great piece of cinema should evoke in the viewer, Alice Lowe’s electric performance in ‘Prevenge’ makes one laugh, cry and shriek in terror.”
Devika Girish Interviews Sam Levy
“The Hollywood dream lives on proudly in ‘The Disaster Artist.’”
“McDonagh’s film is as much of a message movie as summiting Mount Kilimanjaro is a relaxing family-friendly vacation.”
“A dance of layered visuals and eye-popping patterns, ‘Coco’ is well balanced with the understated”
“Painfully ironic, aggressive and humorously on point, Östlund’s films are timely cinematic pieces that put their characters’ moral compasses at stake.”
In the Vague Visages Writers’ Room on Facebook, freelancers were asked to comment about their favorite Halloween flicks.
“It’s rare to find a movie that pays homage to the good ol’ days while also paving its own way, but ‘Hatchet’ is that.”
“‘Downsizing’ thinks it has big ideas, but artistically and intellectually, it’s as small as its protagonists.”
“It is, quite simply, one of the most engaging and most charming movies ever made.”
“Unexplored potential aside, there is a deeper issue which casts ‘Ingrid Goes West,’ for me at least, in a pale rather than neon light.”
“‘Withnail & I’ is chock-full with digs and insinuations of homoeroticism, some of them crude, others more subtle and rife with dramatic potential and longing.”
“When we watch the films, we can be Larry — agonising over ‘feeling the question’ — or we can be Sussman, content not to know but still enjoying the experience.”