A Reluctant Hunter: Jean-Bernard Marlin’s ‘La fugue’
“Bencherif exudes that rare type of charisma one can’t teach.”
“Bencherif exudes that rare type of charisma one can’t teach.”
“With such a focus on powerful women, I’m still not sure how The Americans will handle the case of Stan Beamon. Mentally weak or the smartest guy in the room?”
Q.V. Hough Recaps “Run”
“The Americans highlights themes of male bonding and sexism, which hints at the potential rise of female characters in season three.”
“‘The World Made Straight’ is essentially a poor man’s ‘Out of the Furnace’… Still, it’s a memorable spotlight for the always-mesmerizing Minka Kelly.”
“Amazon’s new comedy pilots have their share of problems, although the underdog stories may appeal to the masses. I’m giving the upper hand to Down Dog.”
“Cocked is not all bad, as there is a great family drama in there somewhere.”
“Film series like Harry Potter and The Hunger Games boast a visually interesting world that draws us in, which is also present in The Man in the High Castle pilot.”
“Constructing yourself a gorgeous Necklace while expressing your personal style.”
“Amazon Studios’ new war drama has everything it needs for a fun series about young people, but the execution falls short.”
“The inherent problem with Tom Brady haters lies in their predictability and inability to accept reality.”
Just when you thought this series couldn’t more twisted and brilliant…it does.
“A Hendrix biopic can be tackled in a variety of ways, but a director should either commit to gonzo audio/visual techniques or simply let the performances take over.”
Q.V. Hough on the Influence of Francesco Rosi
The Golden Globe Awards Air Tonight at 8/7c on NBC
“Joaquin Phoenix delivers yet another iconic performance in ‘Inherent Vice’ and has now become one the most charismatic actors of the last 20 years.”
“The interactions between Mitchum and Takakura offer a jolting look at man’s acceptance of grief, but the technical aspects of The Yakuza transform the film to a higher level.”
“‘Big Eyes’ could have become an Oscar contender with more focus on Adams in the final act, rather than a shift towards the public bravado of Waltz’s Walter Keane.”
“The frat house formula doesn’t quite work well enough for ‘The Interview’ to become a modern comedic classic.”
“Jolie didn’t make a bad movie, and ‘Unbroken’ might have even won Best Picture 20 years ago, but you can’t throw the star under the bus — especially in a biopic — and let the antagonist destroy one of the most powerful scenes.”