“American Crime Story has done an impressive job of imbuing well-known facts with enough intrigue to make them play like gripping fiction, and ‘Conspiracy Theories’ is no exception.”
“Eventually, Hood can’t avoid the chance to step up to the pulpit and offer a stance. But even as the film orchestrates its grandly emotional and proudly manipulative climax, it means nothing and everything.”
“True to form, the narrative beats of 10 Cloverfield Lane do unspool more than progress, but the difference is that they’re always based in character.”
“Although it contains very little new material, Hitchcock/Truffaut will undoubtedly find a home within the film education community and could become an important tool in introducing Hitchcock’s immense body of work to hoards of “uninitiated” cinema devotees.”
“As tempting as it’d be to focus solely on the sexism in the trial, ‘Marcia, Marcia, Marcia’ ultimately works best as an episode due to its unwillingness to forget about race.”
“A great director can make us a care for characters wildly outside our realm of understanding, and Grímur Hákonarson may have proven himself such a director with his latest film, Rams.”