“From the safe, warm college campus scenarios that unfold in bathrooms, bus stops and classrooms, we see fringes of an increasingly conservative religious movement nipping at the edges of the screen.”
“‘The Panic in Central Park’ is a richly realized half hour of television, maybe the best episode in the history of a show that’s had some awfully good ones.”
“Is there any point to Richie being an asshole? Is Richie even a character? What is it about Richie Finestra as a protagonist that requires this story be set in the early 70s?”
“A comically surreal masterpiece, Luis Buñuel’s The Exterminating Angel proves an enduring and lighthearted experience, time after time, each viewing influenced by the last, and each new symbolic theory dashed moment by moment.”
“Even if the focus on the jurors in ‘A Jury in Jail’ misfires, there’s more than enough territory left to explore as The People v. O.J. Simpson comes to a close.”
“The realism of Los Olvidados is balanced by striking moments of subjectivity, and they’re crucial to the film’s particular representation of urban poverty.”
“Thirty years after its release, the gender play, sexual politics and physical comedy shine as brightly as the 100-watt headlight on its star’s beloved bike.”
“With The Young One, Buñuel rejects the surrealism that would define his early films and almost all the European work that followed, presenting a rather straightforward narrative with superficial similarities to a Tennessee Williams screenplay.”
“An unquestionably personal work, Day Out of Days exposes the inequity of Hollywood’s interior while highlighting just how important female voices are in telling the story of human existence.”
“American Crime Story has done an impressive job of imbuing well-known facts with enough intrigue to make them play like gripping fiction, and ‘Conspiracy Theories’ is no exception.”