Preacher Recap: ‘The Possibilities’
“With most of the series’ major villains now in play, if not all, it’s only a matter of time before Annville becomes the ‘Monster Swamp’ Root so fears.”
Sheffield Doc/Fest Day Three: Grey Skies, Surprise Guests and Uncle Howard
“Legacy can be a tricky topic for any perspective documentarian to cover, but when that legacy belongs to a close family member, and one who was himself a documentarian, it feels almost necessary.”
At a Juncture: Game of Thrones ‘No One’ (Recap)
“After the emotional revelation of the origin of Hodor’s name, HBO’s ‘Game of Thrones’ has been in a bit of an awkward place.”
Sheffield Doc/Fest Day Two: Politics and ‘Pickle’
“Nothing mixes quite like politics and a funny name.”
Sheffield Doc/Fest Day One: Remembering Chantal Akerman
“The 2016 iteration of the Sheffield Doc Fest boasts a film lineup consisting of 29 world, 20 European and 14 international premiers, alongside an international contingent of buyers and programmers hunting for the best of the best.”
The Feminine Grotesque #10: Genre Is a Woman and She Has Fangs – On ‘A Girl Walks Home Alone at Night’
“After viewing ‘A Girl Walks Home Alone at Night’ for the first time, I wondered, ‘Doesn’t a woman have to be at least a little bit monstrous to survive?'”
We Failed This Film: Lexi Alexander’s ‘Punisher: War Zone’ (2008)
A Series by Dylan Moses Griffin
Of Love and Other Demons: ‘Sweetie’ (Jane Campion, 1989)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
‘Candyman’ or (How I Learned to Stop Worrying and Say Farewell to the Flesh)
“As an adult viewer with a wider range of experiences and reference points than my pubescent self (this is what I tell myself anyway), what engages me most about ‘Candyman’ now is the themes on the fringes of the urban legend focus.”
Studio Ghibli Forever: An Initiation – ‘Grave of the Fireflies’
“A gripping drama whose defiant youths refuse to bow to war, hunger and indifference, Grave of the Fireflies is a film for children to learn the harsh realities of life so that they can do all in their power to prevent the cycle from continuing.”
Moving Picture: ‘Frances Ha’ and Me
An Essay by Kyle Turner
A Cinema of Relics: ‘The Phantom’ at 20
“Call it the Silver Age of Comic Book Movies.”
Why Criticism: Writing about Acting and Performance in 2016
A Column on Film Criticism by Justine A. Smith
Preacher Recap: ‘Pilot’ and ‘See’
“It’s clear from the early stages of ‘Preacher’ that Rogen, Goldberg and Catlin are going to be taking a deliberate pace with the material.”
Review: Corbin Bernsen’s ‘Christian Mingle’
“Like a lot of reality television, ‘Christian Mingle’ is funny for hateful reasoning that displays damaging, scary facets of our culture.”
The Boundaries of Intimacy Are Explored in Porn-Based Dramas ‘After Eden’ and ‘Malgré la nuit’
“In the end, the two films are essentially stories about connections with others, with life itself and ourselves.”
Another Return: Game of Thrones ‘The Broken Man’ (Recap)
“One can only hope that Game of Thrones has exhausted its season quotient of character reappearances ostensibly designed to catch us some degree of off-guard, but perhaps future cold opens are coming.”
Review: Hong-jin Na’s ‘The Wailing’
“It’s a film that doesn’t so much scare as it harrows, boring deep into the psyche.”
Vague Visages on Agnès Varda’s 88th: ‘Vagabond’
“People often fear or misrepresent what they don’t understand.”
Demon in Utero Pregnancy: ‘Shelley’ Opens Transilvania Film Festival
“With clear references to the cult horror ‘Rosemary’s Baby’, ‘Shelley’ explores the theme of pregnancy as an invasion.”