Preacher Recap: ‘Call and Response’
Ryan E. Johnson on the season finale of AMC’s ‘Preacher.’
Two Drink Minimum: ‘BoJack Horseman’ Season 3 Recaps (Part 2 of 4)
“This may be the midpoint of the season, but it already feels like these cycles of self-delusion are about to crash.”
Of Love and Other Demons: ‘Suicide Club’ (Sion Sono, 2001)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Two Drink Minimum: ‘BoJack Horseman’ Season 3 Recaps (Part 1 of 4)
“Despite being under the ‘Two Drink Minimum’ banner, make no mistake: ‘BoJack Horseman’ is not a comedy.”
Studio Ghibli Forever: An Initiation – ‘Ponyo’
“Perhaps not the film for the adventurous young adult, Ponyo proves that remarkable visual inventiveness more-than makes up for candy-sweet morals and glass-fragile plot lines.”
Why Criticism: Jean Epstein and Photogénie
A Column on Film Criticism by Justine A. Smith
‘Indignation’ Has a Palpable Humanity to Its Fury
“Where Indignation deviates a little from its otherwise classical trappings is in its structure.”
Just Dropped In to See What Condition My Skin Condition Was In: The Night Of ‘A Dark Crate’ (Recap)
“There’s nothing more indicative of the flaws in HBO’s ‘The Night Of’ than Jack Stone’s eczema.”
Preacher Recap: ‘Finish the Song’
“In many ways, the first season of AMC’s ‘Preacher’ has led to a slow descent into damnation for its characters.”
Cult Vault, Part Three: On Campy, Queer Figureheads In ‘Mommie Dearest’ and ‘The Rocky Horror Picture Show’
“So, what is it about these two figureheads of cult film that makes them so iconically and definitively camp?”
Of Love and Other Demons: ‘Cold Fish’ (Sion Sono, 2010)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Fantasia Fest 2016 (Video): Justine Peres Smith Interviews Adam Nimoy, Director of ‘For the Love of Spock’
Fantasia International Film Festival 2016: Justine A. Smith Interviews Adam Nimoy
Studio Ghibli Forever: An Initiation – ‘Howl’s Moving Castle’
“Abandoning messages of environmentalism and nonviolence, ‘Howl’s Moving Castle’ abandons the narrative moralities that typify the director’s style.”
Why Criticism: The Inexpressible ‘House of Psychotic Women’ by Kier-La Janisse
A Column on Film Criticism by Justine A. Smith
The Aural Horrors of Dario Argento’s ‘Suspiria’
“Can hearing something be scarier than seeing something?”
Two Drink Minimum: Mandie Fletcher’s ‘Absolutely Fabulous: The Movie’
“It’s like hanging out with your spoiled great aunt at Thanksgiving for an hour until she gets plastered and ruins everything.”
Classes, Clashes and the City of Michelangelo Antonioni’s ‘Le amiche’
“With ‘Le amiche,’ Antonioni further bridges the gap between comparatively conservative melodrama and the groundbreaking narrative and visual abstraction he would soon unleash.”
The Agony and the Eczema: The Night Of ‘Subtle Beast’ (Recap)
“Beyond racial insensitivity, the opening hours of ‘The Night Of’ have been marked by attempts at complexity which end up doing little to give characters depth.”
We Failed This Film: Joe Carnahan’s ‘The A-Team’ (2010)
A Series by Dylan Moses Griffin
Preacher Recap: ‘El Valero’
“As it’s proven in its previous episodes, ‘Preacher’ is not a show that markets in hope, and all that Jesse has left in his wake so far is a boy sent to Hell, a lost church, broken relationships and a dead dog.”