“With ‘This Is a Robbery,’ Barnicle manages to pinpoint what probably happened at the Isabella Stewart Gardner Museum on St. Patty’s Day 1990 while amplifying the long-term mystery.”
“Bargatze delivers a strong one-hour set in ‘The Greatest Average American,’ even if he seems more interested in referencing his family and friends than owning the stage with original bits.”
“‘The Serpent’ fashions itself as a serial killer epic, but feels more like an uninspired Jacques Audiard knockoff that shows little interest in deconstructing the psychology of its subject.”
“‘All these books, all this magic, yeah, they have potential. But what exactly is ‘DOTA: Dragon’s Blood’ trying to say?”
Brian Brems on ‘The Treasure of the Sierra Madre, ‘Da 5 Bloods’ and ‘Trespass’
“When viewed as a character study, ‘Made You Look’ is the rare art documentary that has a re-watchable quality.”
“Whereas many Netflix acts are so clearly designed to address cultural topics A, B, and C — whether it’s politics, social media, or celebrity culture — Regan riffs away with evergreen observational humor that gives ‘On the Rocks’ a timeless quality…”
“Making a gothic horror story about the creation of a gothic horror story is a worthy and potentially enlightening idea, but Unkel fumbles the ball at every turn with ‘A Nightmare Wakes.'”
Dipankar Sarkar Interviews ‘Kaali Khuhi’ Director Terrie Samundra
“‘Anything for Jackson’ is a perfect example of wasted potential, as the film contains some solid elements that Dyck fails to build upon.”
“‘Mank’ probably spends more time than necessary defining the protagonist’s own crisis of conscience within a corrupt and decaying dream factory.”
“‘Mank’ is just the latest installment in Netflix’s self-concious branding strategy.”
“There’s a lot to admire about ‘Pieces of a Woman,’ but Mundruczó’s film loses its way as it continues to untether itself from the opening’s grounded realism.”
“‘Rebecca’ feels sanded out, erased of all imperfection, identity and mystery.”
Dipankar Sarkar Interviews ‘Dolly Kitty & Those Twinkling Stars’ Filmmaker Alankrita Shrivastava
Dipankar Sarkar Interviews ‘Class of ’83’ Director Atul Sabharwal
“Spindell pays homage to many horror productions, yet his film is its own uniquely strange, inventive, entertaining and frequently frightening little monster.”
Dipankar Sarkar Interviews ‘Raat Akeli Hai’ Screenwriter Smita Singh
“Johnson brilliantly arranges and organizes the vignettes that account for her unique ‘living obituary.'”
“Point of view and selfhood have assumed for Kaufman a place of great consequence from ‘Being John Malkovich’ to ‘Eternal Sunshine of the Spotless Mind’ to ‘Anomalisa,’ and ‘I’m Thinking of Ending Things’ is a remarkable extension.”