EP Review: Ultrviolence ‘Forty Knives’
“Throughout ‘Forty Knives,’ Jespersen’s voice betrays his emotions and listening to him sing often feels like sneaking peeks at his diary.”
Album Review: Jen Gloeckner ‘VINE’
“Even though Gloeckner recorded ‘VINE’ in her Dubuque, Iowa bedroom, there is nothing bare bones or lo-fi about it; her passion for her art is obvious and impressive.”
Album Review: CFM ‘Dichotomy Desaturated’
“Based on the music from ‘Dichotomy Desaturated,’ I’d say he’s destined for greatness.”
Album Review: Blood and Glass ‘Punk Shadows’
“While ‘Punk Shadows’ may not evoke the well-worn clichés of mohawks and safety pins, it does offer listeners a bracing dose of originality in the form of nine wildly eclectic tunes.”
Playlist Review: Drake ‘More Life’
“By taking the pressure off himself, Drake has freed himself up to produce his most spry, self-assured work yet.”
Album Review: The Shins ‘Heartworms’
“Even if Mercer never ends up creating his ‘Pet Sounds,’ he seems to be settling nicely into his ‘Sunflower’ years.”
Album Review: Sleaford Mods ‘English Tapas’
“They are the band Britain needs at this moment in time.”
Album Review: Temples ‘Volcano’
“‘Volcano’ is overflowing with lyrics that are evocative and often alluringly nonsensical.”
Album Review: Ryan Adams ‘Prisoner’
“The songs on ‘Prisoner’ seem shackled to the chains of (unrequited) love.”
‘Common as Light and Love Are Red Valleys of Blood’: Some Thoughts from a Mark Kozelek Fan
“Kozelek is present, combative and always original. He forces you to listen to his music on its own terms.”