“Matti shows no fear by destroying genre cliches in ‘On the Job,’ and his wandering camera opens up the world of Metro Manila while expressing how utterly disposable humans can be under corrupt leadership.”
“Lawrence is simply marvelous again and delivers a surprisingly beautiful vocal performance that demonstrates her well-rounded talent as a performer.”
“With such a powerful concoction of unconventional narrative techniques, ‘Thou Wast Mild and Lovely’ dares the viewer to touch the flame; a 95 minute summer poem of suppressed emotions and blistering paranoia.”
“Asunción Balaguer carries ‘Luisa Is Not Home’ with her gentle performance…”
“The crystal-clear visuals of ‘Sea Child’ transcend into a an aquatic journey of surrealism…”
“‘Vanishing Waves’ boasts a touch of Andrei Tarkovsky, but I found many similarities to the psychosexual thrillers of French director Alain Robbe-Grillet, most notably ‘Eden and After’ (1970) and ‘Successive Slidings of Pleasure’ (1974).”
Q.V. Hough on Nightcrawler and the Boulevard of Broken Dreams
Q.V. Hough reviews “Cat People” – now streaming on Warner Archive Instant.
There’s no business like “know” business.
Q.V. Hough reviews Peter Watkins’ 1971 film, “Punishment Park”
Q.V. Hough reviews Jean-Marc Vallée’s ‘Café de Flore.’
Q.V. Hough reviews David Ayer’s WWII drama, “Fury.”
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