“Undeniably the central focus of ‘Summer with Monika,’ Andersson’s overt sex appeal somewhat minimizes her remarkable range in the film, her seamlessly oscillating moods and subtle facial intimations.”
“Horror fans may need to adjust their expectations if they’re looking for more frights than laughs.”
“The multi-hyphenate filmmaker’s latest seems to anticipate dissection: its formal austerity belies a haphazard, literary-minded indulgence.”
“‘Four Hands’ is sublime and arresting in its imagery.”
“‘Mon Mon Mon Monsters’ actually inspires and entertains while pointedly dealing with a subject that hits close to home for many.”
Mike Thorn and A.M. (Anya) Novak look back at the series entries and provide their thoughts on the newest addition.
“Out of a fractured, tentative world, Kazik Radwanski created a strong and whole short film.”
“Behind the mask, lurking within the timbre of the vocal choices, buried beneath the shaped physique, there is truth.”
“Dare I say it, but ‘Jeune Femme’ is as ripe for an American remake as any film I’ve seen on this year’s festival circuit.”
“Shot beautifully, with an imposing yet wholly appropriate classical soundtrack to match, ‘I Am Not a Witch’ is worth the watch.”
“Much like ‘Leviathan,’ the film is oppressively bleak.”
“Vivian Qu’s ‘Angels Wear White’ is another realist, slow cinema meditation on the social troubles in China.”
“‘The Florida Project’ is a marvelous portrait of childhood that depicts how it feels to live on the fringes and just out of reach from The Happiest Place on Earth.”
“‘Mudbound’ plays the game and begins with a white man, but, throughout the course of an epic tale, it arrives at a moving destination.”
“If time has the power to render every structure and memory as null, then here are the moments that define humanity; here are the moments that we hope to remember.”
“This kind of world recreation doesn’t come cheap, and it’s a delight to see a filmmaker of Haynes’ caliber given such a worthy budget.”
“‘Lean on Pete’ hits the mark emotionally and reveals itself to be a poised, moving film.”
“‘Hana-bi’ is a deeply personal labour of love made by an artist observing his own enigmatic nature from a variety of angles in an attempt to arrive at some clarifying epiphany.”
“Harry Dean Stanton was dependable, durable and made whatever part his own, no matter how big or small.”
“To watch Roger Corman’s Poe movies is to visit a mythic dreamscape where the boundaries between life and death are permeable.”