Review: Yimou Zhang’s ‘Cliff Walkers’
“Yimou Zhang’s ‘Cliff Walkers’ looks amazing but suffers from poorly-written characters and stiff performances.”
Review: Nikole Beckwith’s ‘Together Together’
“Together Together’s rumination on difficult work, new friendships and social bonding captures a pandemic mood, and works as a welcome addition to the niche genre of surrogacy cinema.”
Review: Marilyn Agrelo’s ‘Street Gang: How We Got to Sesame Street’
“Don’t be surprised if ‘Street Gang: How We Got to Sesame Street’ leaves you wanting more — that’s often the mark of something special.”
Review: Mia Donovan’s ‘Dope Is Death’
“‘Dope Is Death’ could’ve benefitted from more cultural context and a broader examination of the Shakur family legacy, but the 78-minute film succeeds with its specific focus on holistic healing.”
Review: Chaitanya Tamhane’s ‘The Disciple’
“Without being judgmental, ‘The Disciple’ succeeds in questioning the age-old notion of sacrifice as a means to attaining higher goals.”
Fantasy and Reality in Ben Hozie’s ‘PVT Chat’
“Hozie nails the greener-grass metaphor in ‘PVT Chat’ with a clarity that reminded me of the last lines of James Joyce’s ‘Araby.'”
Review: Chris Baugh’s ‘Boys from County Hell’
“‘Boys from County Hell’ isn’t really about vampires so much as it’s about being proud of where you come from, and of the bonds forged there.”
Arrow Review: Justin McConnell’s ‘Clapboard Jungle: Surviving the Independent Film Business’
“‘Clapboard Jungle’ could not only benefit up-and-coming filmmakers, but also young writers who are serious about pursuing a career in film criticism. Passion isn’t enough. You need to understand the business side of it all…”
Netflix Review: Ryuichi Hiroki’s ‘Ride or Die’
“Plenty of double-themed movies have been made over the years, but ‘Ride or Die’ seems like an ideal companion piece to ‘Persona.’ Both films are sexually provocative, and both require multiple viewings to better understand the perspectives of each female protagonist.”
Review: Travis Stevens’ ‘Jakob’s Wife’
“Aside from being a furiously feminist film, ‘Jakob’s Wife’ is mordantly funny, gruesomely gory and gloriously unpredictable.”
‘Valentina’: Cássio Pereira dos Santos’ Refreshing Debut Feature on Brazil’s Trans Youth
“Though somewhat imperfect, Pereira dos Santos’ first feature shows promise and is a testament to his ability to portray queer characters with granular subtlety and political meaning.”
Netflix Review: Hoon-Jung Park’s ‘Night in Paradise’
“‘Night in Paradise’ isn’t the ideal movie for locked-down streamers, but it’s one that challenges audiences to find silver linings in dark life experiences.”
The Master’s Voice: Gregory Monro’s ‘Kubrick by Kubrick’
“‘Kubrick by Kubrick’ has the effect of placing the notoriously particular and media-shy subject in the room with the eager listener/viewer.”
North Dakota Environmental Rights Film Festival Review: Shannon Kring’s ‘End of the Line: The Women of Standing Rock’
“End of the Line: The Women of Standing Rock’ belongs to a tradition of activist filmmaking that draws from investigative journalism as well as from artistic principles and techniques.”
Review: Stephen Kijak’s ‘Shoplifters of the World’
“‘Shoplifters of the World’ seems more affectionate to 2000s conceptions of 1980s nostalgia than to the thing itself.”
BFI Flare Review: Anna Kerrigan’s ‘Cowboys’
“Joe’s backstory allows ‘Cowboys’ to explore the difficulty of being young and trans, but never in a way that feels exploitative.”
BFI Flare Review: Marley Morrison’s ‘Sweetheart’
“The way ‘Sweetheart’ approaches the topic of AJ’s sexuality isn’t groundbreaking, but in a world where queer coming of age stories are still defined by the “coming out” part, it feels refreshing all the same.”
BFI Flare Review: Shirel Peleg’s ‘Kiss Me Before It Blows Up’
“For a debut feature, ‘Kiss Me Before It Blows Up’ is a bold and assertive movie that nails a few funny moments, but it would’ve benefitted from a more nuanced exploration of its complex subject matter.”
Review: ‘Zack Snyder’s Justice League’
“In an era where Disney allows Marvel to experiment boldly with narrative structures in a show like ‘WandaVision,’ ‘Zack Snyder’s Justice League’ seems like a tired old horse that needs to be put out to pasture.”
Review: Taylor Morden’s ‘The Last Blockbuster’
“Too often, the tongue-in-cheek tone veers into the empty calorie territory of VH1’s cable television time-filler ‘I Love the ‘80s,’ as subjects like Doug Benson and Ron Funches can’t resist using their screen time to test what feels like standup material.”