“Sorry/Not Sorry’ is fascinating with its exploration of ethics, but Mones and Suh’s documentary essentially plays out like a CliffsNotes version of The New York Times’ 2017 report about Louis C.K.’s sexual misconduct.”
“The genius of Sayles’ ‘Lone Star’ is that the film envelops its difficult, knotty questions about history, identity and geography without any didacticism.”
‘Through the Writer’s Mirror’ Interview: George Kowalik and Anne-Laure Tissut discuss the 2022 Percival Everett documentary with director Alexandre Westphal.
“Fiala and Franz, who also co-wrote ‘The Devil’s Bath,’ aren’t interested in making viewers feel comfortable. What they’ve crafted, even more so than their breakout hit, is a tough, distressing watch by design.”