Review: Marcellus Cox’s ‘Mickey Hardaway’
“‘Mickey Hardaway’ is the real deal.”
This category is a Vague Visages archive for movie, TV and music content from the 2020s.
About Vague Visages:
Mission: Vague Visages aims to publish high-quality writing about world cinema and culture. The site maintains a balance of indie and mainstream coverage, allowing for a unique blend of perspectives.
Origins: Inspired by the cinema movement known as La Nouvelle Vague, Q.V. Hough created an image-based blog called “Faces of the French New Wave” in 2014. For a creative twist, the site’s name quickly changed to “Vague Visages” (aka Wave Faces) in honor of French New Wave filmmakers and American indie filmmaker John Cassavetes (director of the 1968 film Faces).
Shift to Film Criticism: Q.V. moved Vague Visages from Blogger to WordPress in late 2014, using the French publication Cahiers du cinéma as a thematic model.
About Q.V. Hough:
Q.V. (Quinn) Hough is Vague Visages’ founding editor and a Rotten Tomatoes-certified film critic. After graduating from Concordia College (Moorhead, Minnesota) in 2004 with degrees in Communication-Mass Media, History and Classical Studies, he lived in Hollywood, California from 2006 to 2012. Q.V. worked closely with ABC On-Air Promotions as the production manager for LUSSIER. He previously co-hosted Concordia On-Air for three semesters before moving to Los Angeles.
In 2014, Q.V. founded Vague Visages. While developing the site, he wrote 600 video scripts and one e-book for WatchMojo (2014-17), along with 2,000 articles for Screen Rant (2018-21). Q.V. has also written for RogerEbert.com, Fandor and Crooked Marquee. He committed to Vague Visages full-time in August 2021.
E-Mail: qvh@vaguevisages.com
Twitter: @QVHough
Instagram: @QVHough
LinkedIn: @QVHough
“‘Mickey Hardaway’ is the real deal.”
“Lanthimos examines human emotion as a sort of mask that we wear, stripping his characters of time and place to observe the raw human animal. ‘Poor Things’ might be the purest distillation of this yet.”
‘Killer Book Club’ Soundtrack: A Vague Visages guide for every song in Carlos Alonso Ojea’s 2023 Netflix movie.
‘Who Is Erin Carter’ Soundtrack: A Vague Visages guide for every song in Jack Lothian’s Netflix series.
“There is so much to adore in ‘Maestro,’ as Cooper’s supremely controlled vision touches greatness and sustains it.”
‘The Changeling’ Cast: A Vague Visages guide for every actor and character in Kelly Marcel’s Apple TV+ series.
“While Origin’s conclusion undermines the breadth and depth of its observations, there is much to be admired in the ambitious undertaking.”
‘Bahadur the Brave’ Interview: Dipankar Sarkar discusses the 2023 film with director Diwa Shah.
“The tension between all these figures prompts a sudden and ferocious outpouring that will cement ‘Evil Does Not Exist’ as one of the most quietly stirring films of the year.”
‘No Hard Feelings’ Soundtrack: A Vague Visages guide for every song in Gene Stupnitsky’s 2023 movie.
‘No Hard Feelings’ Cast: A Vague Visages guide for every actor and character in Gene Stupnitsky’s 2023 movie.
“Spaeny’s rigidity — especially in the first half of ‘Priscilla’ — is the perfect extension of Coppola’s curiosity regarding space and movement.”
‘Love Again’ Soundtrack: A Vague Visages guide for every song in Jim Strouse’s 2023 movie.
‘Love Again’ Cast: A Vague Visages guide for every actor and character in Jim Strouse’s 2023 movie.
‘One Piece’ Cast: A Vague Visages guide for every actor and character in Steven Maeda and Matt Owens’ Netflix series.
‘Who Is Erin Carter’ Cast: A Vague Visages guide for every actor and character in Jack Lothian’s Netflix series.
‘Big George Foreman’ Cast: A Vague Visages guide for every actor and character in George Tillman Jr.’s 2023 movie.
‘Killer Book Club’ Cast: A Vague Visages guide for every actor and character in Carlos Alonso Ojea’s 2023 Netflix movie.
‘A Day and a Half’ Cast: A Vague Visages guide for every actor and character in Fares Fares’ 2023 Netflix movie.
“‘Ferrari’ is a mixed portrait; a kind of freeze-frame of 50s masculinity, in all its ruthlessness and moral codes that have not adapted to a less binary society.”