The A Man in Full soundtrack includes music by Shania Twain, The Guess Who and Tobe Nwigwe. This info article contains spoilers and song details for David E. Kelley’s 2024 Netflix miniseries. Visit the Soundtracks of Television category for more soundtrack song listings, and then browse cast/character summaries in the Know the Cast section.

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A Man in Full stars Jeff Daniels as Charlie Croker, an Atlanta-based real estate mogul. Diane Lane co-stars as Martha Croker, the protagonist’s ex-wife. The storyline follows Charlie as strategizes against enemies while protecting his business. Composer Craig DeLeon (Fatal Attraction) scored the Netflix miniseries; music supervisor Peymon Maskan (Monkey Man) picked the featured needle-drops. Here’s every song in A Man in Full, an adaptation of Tom Wolfe’s 1998 novel.

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A Man in Full Soundtrack: Every Song in Episode 1 “Saddlebags”

• “Man! I Feel Like a Woman!” by Shania Twain (00:00): A “10 Years Earlier” sequence begins. The A Man in Full soundtrack song continues during an exterior shot of Croker Industries. Shania Twain performs at Charlie’s 60th birthday party.
• “TALK’N THAT SHIT!” by Killer Mike (00:02): Charlie finishes a conversation with Joyce (Lucy Liu). The track continues during a transition sequence. Roger (Aml Ameen) sits in a vehicle.
• “You’re Still the One” by Shania Twain (00:04): A birthday party sequence continues. Shania Twain sings for Charlie. She plays an acoustic guitar.
• “Shakin’ All Over” by The Guess Who (00:05): Charlie exits a vehicle. He has sex with his wife, Serena (Sarah Jones). The A Man in Full soundtrack song keeps going as Raymond (Tom Pelphrey) brushes his teeth.
• “The Life I Lead” from Mary Poppins by David Tomlinson (00:17): Charlie says, “Things are not fine.” The music continues during a transition sequence. Roger sings with his daughter.
• “Buss It” by Helena (00:22): Roger finishes a confrontational conversation with Charlie. A transition sequence begins. Martha attends an exercise class.
• “If I Catch You” by Tobe Nwigwe (00:27): Conrad carries a bag of flowers. The A Man in Full soundtrack song plays from a nearby vehicle. Conrad learns that he parked in a red zone.
• “Devil’s Whisper” by Raury (00:38): Raymond looks at a knife. The track scores the episode’s final moments and end credits.

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A Man in Full Soundtrack: Every Song in Episode 2 “The Big Squash”

• “Explosion” by Eli “Paperboy” Reed (00:03): Charlie exits a vehicle. The A Man in Full soundtrack song continues as he prepares for a meeting. Harry (Bill Camp) stares out an office window.
• “Good Man” by Raphael Saadiq (00:09): An exterior montage begins. Wes (William Jackson Harper) greets potential voters. He inquires about Charlie’s whereabouts.
• “Money, Money, Money” by ABBA (00:13): Charlie finishes a business meeting. The music continues during a transition sequence. Raymond drives a vehicle.
• “Boom Boom” by John Lee Hooker (00:18): Jill (Chanté Adams) says, “How is this happening?” The A Man in Full soundtrack song continues during a transition sequence. Charlie and Serena prepare for a flight.
• “I’ll Be Your Man” by Anna Calvi (00:26): Charlie looks at a rattlesnake. He grabs it with his hands. Raymond enjoys a sexual encounter.
• “The Life I Lead” from Mary Poppins by David Tomlinson (00:29): Conrad enters a holding room. Roger leaves a voicemail. He sings briefly.
• “God’s Gonna Cut You Down” by Black Rebel Motorcycle Club (00:33): Charlie talks to his son, Wally (Evan Roe). Roger watches arrest footage. The music scores the episode’s final moments and end credits.

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A Man in Full Soundtrack: Every Song in Episode 3 “The Takedown”

• “Big Bad John” by Jimmy Dean (00:07): Roger talks to Jill while driving. The A Man in Full soundtrack song continues during a transition sequence. Charlie and Serena walk outdoors.
• “God Is My Everything” by Cast (00:17): The music is featured during an interior scene. A pastor sings with his congregation members. The track scores the episode’s end credits at 00:39.
• “All of Me” by Billie Holiday (00:22): Charlie argues with Harry. An interior sequence begins. Martha wears Charlie’s former football helmet.
• “Aria and Variations” by The Swingle Sisters (00:30): The A Man in Full soundtrack song scores an exterior sequence. Joyce and Martha exit a vehicle. They arrive at a social event.
• “The Ride” by TBA (00:32): An interior sequence begins. Raymond drinks a glass of champagne. He talks to Harry.

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A Man in Full Soundtrack: Every Song in Episode 4 “Tick Tick”

• “Thoughts” by Danielle Ponder (00:00): The A Man in Full soundtrack song accompanies the opening sequence. Conrad rests in his jail cell. The music continues during the title sequence.
• “Butterfly (Malik Djoudi Remix)” by Leonie Pernet (00:03): Charlie sits on a hospital bed. Raymond parks a vehicle. Martha attends an exercise class.
• “Temptation” by Franc Mosbaugh (00:13): An exterior montage begins. Raymond meets with Martha for a date. He talks about his anxiety.
• “You Don’t Mess Around with Jim” by Jim Croce (00:22): The A Man in Full soundtrack song scores a travel sequence. Raymond drives a blue vehicle. He sings along to the music.
• “Everybody Needs a Friend” by Chyvonne Scott (00:28): Martha parts ways with Raymond. She smiles while entering her home. The music fades as Roger talks to Jill about a case.
• “If I Catch You” by Tobe Nwigwe (00:43): Conrad talks to his cellmate. A prisoner raps nearby. The track scores the episode’s end credits.

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A Man in Full Soundtrack: Every Song in Episode 5 “Push Comes to Shove”

• “In the Good Old Days (When Times Were Bad)” by Merle Haggard & The Strangers (00:00): The A Man in Full soundtrack song scores the opening sequence. Charlie arrives at his home in a vehicle. The music drops as he talks to his driver, Gerald.
• “Old Dog New Tricks” by Mike Lesirge feat. Gavin I. Conder & Jessica Greenfield (00:34): Wes meets with Roger at a bar. Music plays from the speaker system. Wes apologizes to Roger.

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A Man in Full Soundtrack: Every Song in Episode 6 “Judgment Day”

• “Shakin’ All Over” by The Guess Who (00:34): Charlie receives bad news. The music continues during a transition sequence. Raymond has sex with Martha.
• “Carmen, Act 1: Quand je vous aimerai?…L’amour est un oiseau rebelle (Habanera)” by Rafael Frühbeck de Burgos, Chœurs de l’Opéra National de Paris & Paris Opera Orchestra (00:40): Martha reacts to a confrontation between Charlie and Raymond. Roger finds a dead body. The A Man in Full soundtrack song scores the episode’s final moments.

Q.V. Hough (@QVHough) is Vague Visages’ founding editor.