Michael J. Casey on Paul Schrader’s thematic links in ‘Taxi Driver,’ ‘Mishima: A Life in Four Chapters’ and ‘First Reformed’
“‘Revenge’ is not quietly revolutionary. It makes its message quite clear. Loud, brash, neon-colored and shot like a music video, the flick is unabashedly cool.”
“Though it’s not one of Farhadi’s best films, ‘Everybody Knows’ is still an effective, impactful thriller.”
“It’s unconventional and provocative, but with such a powerfully invigorating narration and clear passion between the lines, ‘Mandy’ feels like an explosive liberation.”
“Lending the story a rarefied patina is the cinematography.”
“In us all lurks a potential Franck — desperate for intimacy, willing to risk oblivion for a moment’s embrace.”
“Carlos and Jason Sanchez’s ‘Allure’ might be one of the most beautifully distressing movies of the past year.”
“‘A Quiet Place’ masterfully builds tension, pays it off in unexpectedly satisfying ways and provokes genuine emotional investment in its characters with precious few traditional tools at its disposal.”
Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events.
“Ramsay and Phoenix eloquently communicate the trappings of depression, and how it grips the sufferer.”