Obsession and Compulsion: A Deep Look at ‘Single White Female’
“In ‘Single White Female,’ being fixated with a person’s looks, behavior and personality represents a fetishization of that person as a whole.”
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Review: Fabrice Du Welz’s ‘Message from the King’ (Netflix Original)
“For the most part, ‘Message from the King’ doesn’t mess around.”
Vague Visages Is FilmStruck: Jeremy Carr on Anthony Mann’s ‘T-Men’ and ‘Raw Deal’
“In both ‘T-Men’ and ‘Raw Deal,’ Alton and Mann take what is already a heightened genre and somehow intensify its formal qualities.”
Instant Cult Classic: Gary Michael Schultz’s ‘Vincent N Roxxy’
“Either you love the squeaky rollercoaster or you’ve got no time for the squeaky rollercoaster. Welcome to the carnival.”
‘Beyond the Lights’ and ‘Into the Forest’: Nina Simone as a Tool for Female Empowerment
“The female gaze, when expanded and reproduced through various media, can be a significant tool of empowerment for exploring and blending different artistic themes and forms.”
Less Texting Graphics, More Visual Statements: Review – Brent Bonacorso’s ‘You Get Me’
“‘You Get Me’ is predictable and often frustrating, but the visuals leave a lasting impression.”
The Bottom Line: Q.V. Hough, Jeremy Carr, Bill Arceneaux and Peter Bell on ‘V for Vendetta’
Vague Visages Chat Transcript