Review: Joshua Marston’s ‘Complete Unknown’
“‘Complete Unknown’ seems to have its finger on the pulse of something characteristic of our FOMO culture.”
‘The Young One’ Sees Luis Buñuel Tackle the American South
“With The Young One, Buñuel rejects the surrealism that would define his early films and almost all the European work that followed, presenting a rather straightforward narrative with superficial similarities to a Tennessee Williams screenplay.”
Lust, Caution: Paul Morrissey’s ‘Women in Revolt’
Lust, Caution is a monthly series of essays by Willow Maclay that examine films within the label of “queer cinema.”
Of Love and Other Demons: ‘The Rose Tattoo’ (Daniel Mann, 1955)
“An incredible failure, The Rose Tattoo has value in understanding the confines of the production code and the importance of good direction.”