Review: Joshua Marston’s ‘Complete Unknown’
“‘Complete Unknown’ seems to have its finger on the pulse of something characteristic of our FOMO culture.”
‘The Young One’ Sees Luis Buñuel Tackle the American South
“With The Young One, Buñuel rejects the surrealism that would define his early films and almost all the European work that followed, presenting a rather straightforward narrative with superficial similarities to a Tennessee Williams screenplay.”