Soundtracks of Cinema: ‘Anora’
‘Anora’ Soundtrack: A Vague Visages guide for every song in Sean Baker’s 2024 movie.
Know the Cast: ‘Anora’
‘Anora’ Cast: A Vague Visages guide for every actor and character in Sean Baker’s 2024 movie.
London Film Festival Review: Sean Baker’s ‘Anora’
“‘Anora’ excels by digging beneath the protagonist’s sparkling demeanor while unearthing the grit beneath each sequin.”
Sean Baker’s ‘Red Rocket’ Is Go for Launch
“Baker’s appreciation for even the smallest roles is a chief delight of ‘Red Rocket.'”
London Film Festival Review: Sean Baker’s ‘Red Rocket’
“‘Red Rocket’ is Baker’s strongest work to date, a film much smarter (and far funnier) than its provocative synopsis would suggest.”
Jim McKay’s ‘En el Séptimo Día’: An Immigrant Fairy Tale
“With flexible, transparent cinematography by Charles Libin, the film captures, beat by beat, moment by moment, José’s actions and movements as he bikes, makes deliveries and encounters his boss, friends and customers.”
Disney Dreams in Sean Baker’s ‘The Florida Project’
“‘The Florida Project’ is a marvelous portrait of childhood that depicts how it feels to live on the fringes and just out of reach from The Happiest Place on Earth.”
Justine Peres Smith’s Top 10 Films of 2015
Justine Smith (@redroomrantings) lives and writes in Montreal, Quebec. She has a bachelor’s degree in Film Studies and a passionate hunger for all kinds of cinema. Along with writing for Vague Visages, she has written for Vice Canada, Cleo: A Feminist Journal and Little White Lies Magazine.
Jordan Brooks’ Top 10 Feature Films and Top 5 Documentaries of 2015
Jordan Brooks (@viewtoaqueue) is an increasingly-snobby cinefile based out of London, England. As a contributor to several online publications, including his own blog, he has succeeded in fulfilling his life long dream of imposing strong opinions on others.
Of Love and Other Demons: Michael Rowe’s ‘Early Winter’ (2015)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
The Dueling Cavalier: ‘Tangerine,’ ‘Toy Story’ and Technology in Storytelling
A Column by Max Bledstein