Edinburgh Film Festival Review: Nora Fingscheidt’s ‘The Outrun’
“‘The Outrun’ feels lacking in the specificity that makes for rewarding character drama.”
Soundtracks of Cinema: ‘Foe’
‘Foe’ Soundtrack: A Vague Visages guide for every song in Garth Davis’ 2023 Amazon movie.
Know the Cast & Characters: ‘Foe’
‘Foe’ Cast: A Vague Visages guide for every actor and character in Garth Davis’ 2023 Amazon movie.
Review: Josie Rourke’s ‘Mary Queen of Scots’
“Dramatic license is so much a given that discussions of authenticity are as damned as they are damning.”
Lady Bird and the War of Innocence
“Maybe this war of innocence is one that’s never really won or lost. Maybe we just take life one battle at a time.”
“Well, Childhood’s Over” – Claiming Adulthood with Some Help from Greta Gerwig
An Essay by Marshall Shaffer
The Ideology of Kinko’s: A Conversation with ‘Lady Bird’ Cinematographer Sam Levy
Devika Girish Interviews Sam Levy
Glasgow Film Festival Review: Stephen Ringer’s ‘Weepah Way for Now’
“It’s a touching depiction of a bond between sisters, but it doesn’t really create such a bond with viewers.”
We Failed This Film: Joe Wright’s ‘Hanna’
“Atonement may always be widely regarded as Wright’s best work, but Hanna is his bravest and most authentic (and should be remembered as such).”
Review: John Crowley’s ‘Brooklyn’
“A turn to the past in order to rationalize the present, Brooklyn is a standout example of the forceful, empathetic tempest that cinema is capable of delivering to an audience.”
We Failed This Film: Ryan Gosling’s ‘Lost River’
A Column by Dylan Moses Griffin