Ari Aster’s ‘Hereditary’: Hollow Horror
“What’s truly terrifying about ‘Hereditary’ is how empty it really is.”
Conduits of Fear: The Vital Role of The Youth in Horror
“Horror is a genre that believes, rightly, that young people are the future.”
The Sweet Smell of Rot: FEUD ‘Hagsploitation’ (Recap)
“At its best, ‘Feud’ seeks to prove, and admirably so, that trash — as John Waters and William Castle can attest — is hardly the worst thing one can be.”
Technological Tease: Virtual Reality
“I foresee that VR will eventually become a key asset of filmmaking, putting itself right alongside sound, color, digital and CGI as an essential staple of the industry.”
Genre Whiplash: The Surprising Genius of Karyn Kusama
“By providing viewers with a satirical undertone, Kusama offers a place to rest, making the subversion of viewer expectations all the more potent.”
Case for Criterion: William Friedkin’s ‘Bug’
“As one finds themselves trapped deeper and deeper into the lives of these poor, unfortunate souls, Bug closes in on you in a curiously suffocating way. It’s disorienting in the best way possible.”
Fargo Film Festival: Aaron and Austin Keeling’s ‘The House on Pine Street’
“Much like Polanski, the Keelings don’t rely on cheap gags to convey horror, as The House on Pine Street succeeds through outstanding cinematography and the refined acting of Emily Goss.”
The Golden Globes Disservice to TV’s Best Supporting Actor/Actress Categories
VV’s Alamin Yohannes: “With the increase in television shows and amazing talents being showcased, this Golden Globes category is borderline criminal.”