“For Paul Schrader, First Reformed’s visual style realizes ideas of transcendental style that he first theorized at the beginning of his career. But that style only works because it serves the story and character he crafted so carefully.”
“The multi-hyphenate filmmaker’s latest seems to anticipate dissection: its formal austerity belies a haphazard, literary-minded indulgence.”
“What is the cost to oneself of living by a system of belief?”
“Much of Au hasard Balthazar’s transcendental value derives from its explicit openness to theological interpretation, particularly given Bresson’s oft-commented upon Catholicism and some of the film’s more overt symbolism.”
“As formally challenging as ‘The Pillow Book’ may be, it romantically creates a love affair unbound by its physical limits, connecting it to past and present through art and literature.”
“It can’t help but seem like there was one film about a dog bringing people together in light of troubled times, if only briefly, but then it was decided that there would also be a film about a dog being a prop for stories that his detractors would label as ‘autopilot Solondz.'”
Semana Internacional de Cine de Valladolid: Andreea Pătru Interviews Israeli Filmmaker Avishai Sivan
Q.V. Hough’s Top 10 Films of 2014
