Review: Greg Tiernan and Conrad Vernon’s ‘The Addams Family’
“The most devoted fans will appreciate the authenticity of the character design, which sticks closely to the look of the classic illustrations.”
The Harmony of ‘At Eternity’s Gate’ and ‘Loving Vincent’
“Both films are not only shaped by artists that understand van Gogh as an artist, they’re shaped by people that understand distinctly how van Gogh’s art made him human.”
Vague Visages Writers’ Room: Weekend Vibes 4.20.18
Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events.
Review: Luca Guadagnino’s ‘Call Me by Your Name’
“‘Call Me by Your Name’ skips through time like a dream, or a calcified, powerful memory.”
My Summer of Dunst: Volume 5
“Dunst remains in control of her persona, but she’s also at the mercy of Hollywood scheming.”
The Original Sin in ‘Ex Machina’: Ava Is the Origin
“‘Ex Machina’ is not a projection of A.I. fear, but more of a preliminary intervention on the organized process of fearing and hating women.”
Review: Alex Garland’s ‘Ex Machina’
“A commanding first directorial effort from Alex Garland, Ex Machina is the product of a perfectly-tuned collaborative endeavor, much like the mind of its artificial centerpiece.”