The Exaggerated Joy of Jûzô Itami’s ‘Tampopo’
“If ‘Tampopo’ initially seems familiar, it’s only because Itami masks the exterior as a Western.”
“If ‘Tampopo’ initially seems familiar, it’s only because Itami masks the exterior as a Western.”
“In the forbidden, Oshima reveals the fear of our own meaninglessness and our inability to face death as a certainty.”
“Throughout much of his 60s work, Imamura often examined the balance between ordinary and unordinary people, and in The Profound Desire of the Gods, he finds an exceptional way of highlighting the extremity of this concept.”
Semana Internacional de Cine de Valladolid: Andreea Pătru Interviews Israeli Filmmaker Avishai Sivan