“‘One Fine Morning’ is an exercise in comparatively calm, delicate cinema. It balances serenity with pathos and never strays from realism, in contradistinction to Hansen-Løve’s previous film — the highly metafictional, altogether more playful ‘Bergman Island.'”
“The Fårö setting in ‘Bergman Island’ provides Hansen-Løve with a treasure chest of opportunities to indulge and explore cinephilia, reflexivity, homage and intertext, but the potential autobiographical interpretations are equally enticing.”
Josh Slater-Williams (@jslaterwilliams) is a freelance writer based in England. Alongside writing for Vague Visages, he is a regular contributor to independent British magazine The Skinny and has written for Little White Lies magazine, VODzilla.co, The Film Stage, and PopOptiq.
“It’s an era epic that’s both euphoric and melancholy, riveting despite running on the ever fleeting. It’s the new best film from one of the world’s greatest new directors.”