Gaspar Noé: From Extremity to Sensation
“Noé’s work has always been concerned with errant self-expression, what happens when we are wrenched from sensation and how we adjust to the comedown.”
“Noé’s work has always been concerned with errant self-expression, what happens when we are wrenched from sensation and how we adjust to the comedown.”
“Perhaps dismissing von Trier’s work is the right course of action for those that have never found anything to connect to in his films. As for the rest of us (women)… the relationship will only continue to take warped, strained forms.”
“Marie Antoinette has become queen and left her partying days behind.”
“Roberts believes in the subtle force of his nice-as-pie protagonist, and he is right: Katie’s light outshines the blue Arizona sky.”
“‘The Childhood of a Leader’ may not behold a traditional narrative, yet Corbet’s auterist style creates a memorable visceral effect.”
“With clear references to the cult horror ‘Rosemary’s Baby’, ‘Shelley’ explores the theme of pregnancy as an invasion.”
“Office makes you wonder if more thriller-leaning filmmakers should make a foray into the musical genre. Michael Mann’s Gypsy, anyone?”
“At its best, film allows viewers to see the world through another person’s eyes, and to live for a fleeting moment in somewhere unexpected and beautiful, so wouldn’t it be wonderful if the purity of that moment could last a just little bit longer?”
An Essay by Kyle Turner