“‘Werewolves Within’ has a puckish charm that’s difficult to resist. In spite of everything working against it, Ruben’s movie is eminently watchable thanks in large part to the brilliant cast, led confidently by Richardson.”
Joey Keogh on the 20th Anniversary of ‘The Fast and the Furious’
“Beautifully shot, wildly inventive and devilishly unpredictable – and with a swooning, dead-cool soundtrack to match – ‘Sexy Beast’ is well worth celebrating on its 20th anniversary.”
“‘Censor’ is an attention-grabbing debut whose true impact will likely only be felt with each subsequent viewing as the inner workings of the film’s darkest moments become clearer. Absolutely essential.”
“Deeply unsettling and profoundly frightening, ‘Caveat’ is a remarkably assured debut for Mc Carthy and a real showcase for the talents of its small cast, particularly French as the tortured protagonist.”
“Everything about ‘Seance’ is loudly, proudly feminine and female focused… if one didn’t know this was Barrett’s work, it could easily be mistaken for that of a female filmmaker, which is no small feat.”
“‘Boys from County Hell’ isn’t really about vampires so much as it’s about being proud of where you come from, and of the bonds forged there.”
Joey Keogh Interviews ‘The Mortuary Collection’ Writer-Director Ryan Spindell
Joey Keogh Interviews ‘The Mortuary Collection’ Actor Clancy Brown
Joey Keogh Interviews ‘Jakob’s Wife’ Director Travis Stevens
Joey Keogh Interviews ‘Jakob’s Wife’ Actress Bonnie Aarons
“Aside from being a furiously feminist film, ‘Jakob’s Wife’ is mordantly funny, gruesomely gory and gloriously unpredictable.”
“‘Bridget Jones’s Diary’ is heartbreaking and life-affirming in equal measure, which is a difficult balance to pull off, particularly in a movie that frequently treats its protagonist quite harshly.”
VVoices #5: Film Critics List the Best Space Horror Movies
VVoices #3: Film Critics Discuss the Most Effective Pandemic-Themed Movies
“‘Psycho Goreman’ is delightfully dark, whimsical, charming and frequently laugh-out-loud funny.”
“Stone has the look of a teenager with the earned maturity of someone who’s been through some heavy shit, which lends itself well to her teenage prostitute in ‘Honey Bee’ and works just as brilliantly in ‘Come True.'”
“Looking back on early-2000s fare, ‘Get Over It’ stands out as smarter, sweeter, funnier and weirder than many of its contemporaries…”
“Swab’s personal experience bleeds into every frame of ‘Body Brokers,’ making it a taxing watch at times, but its true power lies in the details…”
VVoices #1: Film Critics Discuss Auteur Theory