“‘Zack and Miri Make a Porno’ is a lot like a modern ‘When Harry Met Sally,’ for broke 30-somethings rather than wealthy, super-hot business types.”
“Whether ‘All the Creatures Were Stirring’ becomes a festive must-watch remains to be seen, but there’s enough to enjoy for it to be a part of horror fans’ yearly rotation.”
“If ‘Flemish Heaven’ isn’t exactly positive about sex work, the flick at least isn’t negative either or, crucially, judgmental about the reasons a woman might decide to sleep with men for money. It’s still a step in the right direction for representation.”
“Even when too much stuff is being thrown at the screen, it’s hard not to admire ‘Peripheral’ for trying.”
“‘Halloween’ might be funny, but it’s also the nastiest, most violent entry in the series yet.”
“‘Bodied’ is a blisteringly urgent and inescapably topical meditation on race, class and identity; the kind of movie that could only be told with the panache and in-your-face directness of Kahn.”
“Times have changed — Time’s Up, in fact — so why try to redo, or outdo, something that still resonates a whopping 30 years after its release, something that still feels timely and relevant? Jughead can keep the coat. ‘Heathers’ lives on.”
“‘Leave No Trace’ finds its tension in the growing gap between father and daughter as Tom’s worldview widens while Will’s closes in.”
“‘Revenge’ is not quietly revolutionary. It makes its message quite clear. Loud, brash, neon-colored and shot like a music video, the flick is unabashedly cool.”
“Ramsay and Phoenix eloquently communicate the trappings of depression, and how it grips the sufferer.”
