“The female gaze is strong here, lovingly capturing Cassidy’s delicate, open features particularly when they begin twisting into something resembling anger…”
“The problem with ‘Dark Whispers Vol 1’ is the same as with any horror anthology — the stories are only as good as what’s come before.”
“A thrilling, gloriously gory and gleefully simple exercise in cyberpunk nastiness, led by a crew of done-with-this-shit action movie icons, ‘VFW’ is a relentlessly entertaining riot.”
“‘Color Out of Space’ is proof, if any were needed, that Stanley knows what he’s doing and that he should be given opportunities more often.”
“More mood piece than cohesive story, it’s impressive chiefly in how McGuinness mirrors the desolate bleakness of the protagonists’ lives with the parched cinematography of their surrounding landscape.”
“Nicholas Brennan’s film makes a hugely convincing argument for following your dreams at all costs.”
“‘Ham on Rye’ has an inescapably student film-y vibe, a bit like a wannabe Richard Linklater joint but without any of the ambition, grit or intelligence.”
“The questions ‘New Money’ poses are numerous and mostly left unanswered. The film is scattershot at times and tonally inconsistent throughout, flirting with elements of a crime thriller and a goofy comedy.”
“The rom-com isn’t dead. It was simply evolving into something more interesting, more modern and more accepting.”
“‘Mean Girls’ might be a teenager itself now, but the movie’s popularity continues to grow as a whole new generation falls in love with its cast of crazy characters, messages of inclusion and impressively high joke rate.”
