Vague Visages Is FilmStruck: Jeremy Carr on Louis Malle’s ‘Black Moon’
“Communication — or the lack thereof — is key to ‘Black Moon.’”
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Vague Visages Is FilmStruck: Jeremy Carr on Anthony Mann’s ‘T-Men’ and ‘Raw Deal’
“In both ‘T-Men’ and ‘Raw Deal,’ Alton and Mann take what is already a heightened genre and somehow intensify its formal qualities.”
Vague Visages Is FilmStruck: Jeremy Carr on Federico Fellini’s ‘La Strada’
“Fellini’s films often flourished with acute ruminations on life and society, but rarely would his work achieve this degree of pure emotion.”
The Bottom Line: Q.V. Hough, Jeremy Carr, Bill Arceneaux and Peter Bell on ‘V for Vendetta’
Vague Visages Chat Transcript
Vague Visages Is FilmStruck: Jeremy Carr on Andrei Tarkovsky’s ‘Solaris’
“The film goes beyond strict and narrow generic classification and touches upon something universal, something profound about undying affection and the unreliability of reality.”
Vague Visages Is FilmStruck: Jeremy Carr on Pier Paolo Pasolini’s ‘Mamma Roma’
“The compassion Magnani and Pasolini elicit from this affectionate portrait is manifestly sympathetic — she just tries so hard.”
The Bottom Line: Q.V. Hough, Jeremy Carr and Bill Arceneaux on ‘Cobra’
Vague Visages Chat Transcript