LIVE WATCH: ‘À bout de souffle’ on Criterion Channel
Vague Visages Live Watch: Jean-Luc Godard’s ‘À bout de souffle’ on Criterion Channel
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‘A Woman Is a Woman’: Falling in Love with Karina, Godard and the Wave
“It is Karina who embodied the freedom, fascination and the unpredictability that would define the French New Wave. It is Karina who made so many fall in love — with her and with cinema as an extraordinary, exultant medium.”
This Is Not a Book Review: On William Brown’s ‘Non-Cinema: Global Digital Film-making and the Multitude’
Yoana Pavlova on William Brown’s ‘Non-Cinema: Global Digital Film-making and the Multitude’
An Interview with Independent Filmmaker Caveh Zahedi
“I like failure because it’s spiritualizing. We think we know what will make us happy, but we’re usually wrong. Failure forces us to rethink our salvational strategies.”
Film Theory Vérité: Introduction – On Lewis Hyde’s ‘The Gift’
“Even when it sparks anger, fear, silence or screams, the response is a gift, and what we do with that gift is integral to the future of criticism and filmmaking in general.”
Vague Visages Is FilmStruck: Jeremy Carr on Henri-Georges Clouzot’s ‘The Wages of Fear’
“Within the shell of its high-concept premise, Henri-Georges Clouzot’s ‘The Wages of Fear’ develops into a harrowing depiction of humanity in crisis; economic, political and cultural crisis.”
Cinema of Secrets: An Interview with Philippe Garrel
Julia Yepes Interviews Director Philippe Garrel
Vague Visages Writers’ Room: Favorite Halloween Movies
In the Vague Visages Writers’ Room on Facebook, freelancers were asked to comment about their favorite Halloween flicks.
Vague Visages Is FilmStruck: Jeremy Carr on Ingmar Bergman’s ‘Summer with Monika’
“Bergman’s cinema had entered a phase of pronounced maturity.”
The Cold Light of Day: On Agnès Varda’s ‘Le Bonheur’
“The narrative’s complete subordination to the cinematic is a running commentary on the capabilities of film as form.”
