Julia Yepes Interviews Director Philippe Garrel
In the Vague Visages Writers’ Room on Facebook, freelancers were asked to comment about their favorite Halloween flicks.
“Bergman’s cinema had entered a phase of pronounced maturity.”
“The narrative’s complete subordination to the cinematic is a running commentary on the capabilities of film as form.”
“The film goes beyond strict and narrow generic classification and touches upon something universal, something profound about undying affection and the unreliability of reality.”
“The point is to look as closely as Varda herself, who watches every detail with curiosity, kindness and a relentless sense of wonder.”
“Like his characters, Demy’s camera in ‘Lola’ moves everywhere but goes nowhere; it’s a paradoxically headlong hesitation.”