“It is Karina who embodied the freedom, fascination and the unpredictability that would define the French New Wave. It is Karina who made so many fall in love — with her and with cinema as an extraordinary, exultant medium.”
Yoana Pavlova on William Brown’s ‘Non-Cinema: Global Digital Film-making and the Multitude’
“I like failure because it’s spiritualizing. We think we know what will make us happy, but we’re usually wrong. Failure forces us to rethink our salvational strategies.”
“Even when it sparks anger, fear, silence or screams, the response is a gift, and what we do with that gift is integral to the future of criticism and filmmaking in general.”
“Within the shell of its high-concept premise, Henri-Georges Clouzot’s ‘The Wages of Fear’ develops into a harrowing depiction of humanity in crisis; economic, political and cultural crisis.”
Julia Yepes Interviews Director Philippe Garrel
In the Vague Visages Writers’ Room on Facebook, freelancers were asked to comment about their favorite Halloween flicks.
“Bergman’s cinema had entered a phase of pronounced maturity.”
“The narrative’s complete subordination to the cinematic is a running commentary on the capabilities of film as form.”
“The film goes beyond strict and narrow generic classification and touches upon something universal, something profound about undying affection and the unreliability of reality.”
