Interview with ‘Jakob’s Wife’ Director Travis Stevens
Joey Keogh Interviews ‘Jakob’s Wife’ Director Travis Stevens
Joey Keogh Interviews ‘Jakob’s Wife’ Director Travis Stevens
Joey Keogh Interviews ‘Jakob’s Wife’ Actress Bonnie Aarons
“Aside from being a furiously feminist film, ‘Jakob’s Wife’ is mordantly funny, gruesomely gory and gloriously unpredictable.”
“Roger Ebert once wrote ‘it’s not what a film is about, it’s how it is about it,’ and it’s this phrase that I usually return to when thinking about cinema that deals with humanity’s worst impulses.”
“‘Nina Wu’ isn’t just a ‘#MeToo thriller’ or ‘slow burn cinema,’ it’s a progressive spin on psychological horror and a master class in visceral visual design.”
Mannhunting #1 by Bill Bria: “The protagonists and antagonists in Mann’s films tend to be mirror images of each other, all of them caught within masculinity’s shackles.”
“Sound of Violence’s nonchalant depictions of violence, which occur with such obfuscation due to uncoordinated quick-cut editing and color filters, render it a fangless drama with un-engaging sequences of killing and torture.”
“There are many ways that Gaia’s concepts can be expounded into more interesting discussions, yet Bouwer is fine with maintaining a simplistic if metaphorically informed tale about Mother Nature’s revenge.”
“‘Psycho Goreman’ is delightfully dark, whimsical, charming and frequently laugh-out-loud funny.”
“Stone has the look of a teenager with the earned maturity of someone who’s been through some heavy shit, which lends itself well to her teenage prostitute in ‘Honey Bee’ and works just as brilliantly in ‘Come True.'”
“‘Saint Maud’ proves, once again, that horror, and particularly indie horror, provides the opportunity for first timers to take real risks.”
“‘Sator’ is a slow burn, and the payoff for waiting around will not suit everybody. Like ‘Blair Witch,’ it requires your full attention to really make an impact — half-watching while scrolling through Twitter won’t cut it.”
“‘The Reckoning’ makes a sharp point about the complicity of women, or more accurately white women, in the destruction of other women.”
“The most surprising thing about ‘In the Earth’ may be just how much of a return it is to the pitch black humour that characterised Wheatley’s earliest films.”
“‘We’re All Going to the World’s Fair’ would’ve benefitted from leaning more into the ambiguous lines between documentation and constructed fiction, but it remains a fascinating fiction debut nevertheless.”
“The ‘Shadow in the Cloud’ team acknowledges gremlin mythology with genuine admiration and respect.”
“An exceedingly dark and violent survival horror film, ‘Hunted’ will make sure you never again go out alone at night.”
Dipankar Sarkar Interviews ‘Kaali Khuhi’ Director Terrie Samundra
“‘Climate of the Hunter’ is fatally enthralled by its own bizarre, overwrought stylistic tics, from the exaggerated performances aiming squarely for the cheap seats to the Wes Anderson-style PSAs…”
“There’s a timelessness to ‘The Bloodhound’ that puts it on a par with recent and similarly quietly-horrific offerings like ‘It Follows’ and ‘Piercing’…”