Commanding Leads and Creative Insults in Colin Thompson’s ‘It’s Us’
“Energized by two charismatic leads, It’s Us beautifully explores the process of early 30s decision-making and how one deals with the consequences of questionable actions.”
The Dueling Cavalier: ‘Tangerine,’ ‘Toy Story’ and Technology in Storytelling
A Column by Max Bledstein
Back to the Beginning: John Cassavetes’ ‘Shadows’ (1959)
The Fifth and Final Installment of “Tightrope Cinema: John Cassavetes’ Highwire World” by Phuong Le
Magical Mojo: Lee Toland Krieger’s ‘The Age of Adaline’
“Filled with sappy moments but fueled by Lively’s classical mojo, The Age of Adaline holds back just enough to capitalize on its magical realism.”
Review: Olivier Assayas’ ‘Clouds of Sils Maria’
“An Olivier Assayas film in which an artist reflects on their own creative past in a new light — there must be something in the air at Sils Maria.”
Review: David Cronenberg’s ‘Maps to the Stars’
“While Cronenberg’s visuals and Bruce Wagner’s dialogue left me speechless early on, the pacing and tone of the final half inspired a couple face-palms. Even so, Cronenberg has plenty to say with Maps to the Stars, and the film’s best moments are powerful.”
The Golden Globe Nominations Revealed: QVH’s Early Film Predictions
Q.V. Hough Lists His Favorites for the January 11 Show