“‘Amores Perros’ is almost entirely disinterested in its central location. It feels like a film made not to speak truth to Mexican audiences, but to present a hyperreal version of Mexico for international audiences.”
“‘The Kindergarten Teacher’ is purposefully not a comfortable watch, but it satisfies in many ways. Not only is its central character an imperfect woman, but she also expresses her palpable rage in a strange and fascinating form of intellectual violence.”
“A dance of layered visuals and eye-popping patterns, ‘Coco’ is well balanced with the understated”
“Neruda’s shining star is Luis Gnecco, who brings the poet back to life.”
“Amores Perros clocks in at 150 minutes, yet not a single frame feels unnecessary.”