Portraits of Women in Film Noir
“Film noir is all about questioning assumptions, and several of such films that feature portraits of women do nothing less.”
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Bertolt Brecht, Fritz Lang and German Expressionist Fury
“Lang’s film becomes a committed act of social justice advocacy, raging against its enforced limitation, and striving to break the formal apparatus that could often be employed to constrain Classic Hollywood cinema.”
War and Domestic Violence in Fritz Lang’s ‘Human Desire’
“‘Human Desire’ points a hopeful, if naïve, way forward for men returning home from war.”
Vague Visages Is FilmStruck: Jeremy Carr on Anthony Mann’s ‘T-Men’ and ‘Raw Deal’
“In both ‘T-Men’ and ‘Raw Deal,’ Alton and Mann take what is already a heightened genre and somehow intensify its formal qualities.”
Fantasia 2017 Wrap-Up: My Festival vs. Your Festival
“I can’t make any grand pronouncements or bold proclamations, except that I need to either learn to read program descriptions more critically or invest in a plane ticket to Montreal next July.”
Vague Visages Is FilmStruck: Marshall Shaffer’s #FilmStruckFebruary
Marshall Shaffer Reflects on a Full Month of FilmStruck
Of Love and Other Demons: ‘House by the River’ (Fritz Lang, 1950)
“While Lang never fully embraced socialist principles over the course of his career, he always seemed to have a violent distaste for the men who stood on the shoulders of those who were less fortunate, knowing full well that social class does not correlate a strong moral conscious.”
Of Love and Other Demons: ‘The Woman in the Window’ (Fritz Lang, 1944)
“The film has an unusually conservative vibe for a noir, maintaining that the status quo may be boring but criminality has nothing to offer — not even carnal thrills.”
Love and Death: The Romantic Sorrow of Fritz Lang’s ‘Destiny’
“Epic in scope and theme, the subject of ‘Destiny’ is most heart-rending in its moments of intimacy.”
Jacques Tardi Adaptation ‘April and the Extraordinary World’ Offers a Thrilling Alternate History
“The extraordinary world of April and the Extraordinary World is no simple one, and it’s welcome that its worldview veers away from the simplistic.”