Review: Michael Lukk Litwak’s ‘Molli and Max in the Future’
“Despite the hollow philosophizing, ‘Molli and Max in the Future’ offers a surrealistic blend of popcorn entertainment and classic Hollywood appeal.”
Review: Keir O’Donnell’s ‘Marmalade’
“‘Marmalade’ isn’t a great film, and many high-brow critics will presumably dismiss it as ‘rotten’ nonsense, but there’s something special within the overall approach that suggests a bright filmmaking future for O’Donnell.”
Review: Amjad Al Rasheed’s ‘Inshallah a Boy’
“Al Rasheed’s feature directorial debut succeeds through its cultural specificities, enlightening cinematography and authentic performances.”