We Failed This Film: M. Night Shyamalan’s ‘Unbreakable’
A Series by Dylan Moses Griffin
‘Spectre’ Is the ‘Star Trek Into Darkness’ of the Bond Series
“If Skyfall was arguably about the James Bond character having an identity crisis, Spectre feels like the series having one.”
Of Love and Other Demons: ‘The Devils’ (Ken Russell, 1971)
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
Review: S. Craig Zahler’s ‘Bone Tomahawk’
“Meeting the specifications of both Western and Horror halfway, Bone Tomahawk gracefully undermines each in pursuit of lending credence to the other.”
Review: Guy Maddin’s ‘The Forbidden Room’
“Phantasmagoric and heady, The Forbidden Room is a film torn from the past, as Guy Maddin journeys even further into his own imagination, drawing out an original and enthralling journey through a kaleidoscope of different locales, time periods and genres.”
Pushing Boulders: Fargo ‘The Myth of Sisyphus’ (Recap)
“Gallows humor is a trademark of just about all of the Coens’ work (and Fargo in particular), and Noah Hawley and his writers have done a brilliant job of coming up with gags worthy of their show’s namesake.”
London Film Festival 2015 Review: Johnnie To’s ‘Office’
“Office makes you wonder if more thriller-leaning filmmakers should make a foray into the musical genre. Michael Mann’s Gypsy, anyone?”
No Miracles in Miracle: The Leftovers ‘Orange Sticker’ (Recap)
“Understandably, “Orange Sticker” sacrifices grand thematic focus in favor of pushing the story forward but still manages to meditate on a certain idea.”
His Blazing Automatics: The Postmodern Horror of Alfonso Gomez-Rejon’s ‘The Town That Dreaded Sundown’
His Blazing Automatics is a Vague Visages column by Dylan Moses Griffin.
Dudley’s World: My Summer with ‘Seinfeld’
Dudley’s World is a Vague Visages column by Jordan Brooks.
NSFW Video: Justine A. Smith Interviews Gaspar Noé About ‘Love’
Festival du Nouveau Cinema 2015 (Interview by Justine A. Smith, Video by Francisco Peres)
Review: Cary Joji Fukunaga’s ‘Beasts of No Nation’
“As an empathetic machine, Beasts of No Nation tries too hard to convey the unimaginable, leaving in its place a sense of cold insouciance towards a system that is shown to be irreparably broken.”
It Really Tied the Plot Together: Fargo ‘Before the Law’ (Recap)
“Beyond being a neat stylistic trick and an effect that would make Abel Gance proud, the use of split-screens in the first two episodes of Fargo Season 2 has the helpful narrative role of directly uniting the show’s disparate narrative elements.”
London Film Festival 2015 Review: Karyn Kusama’s ‘The Invitation’
“Thanks to the skilled hand of director Kusama (Girlfight, Jennifer’s Body), The Invitation is a deeply uncomfortable but also eerily funny skewering of the hostility that can lurk under the veil of hospitality.”
Vaguebande: Life Is Beautiful – ‘Crimson Peak’ and the Image That Shook Me
A Column by Q.V. Hough (Vaguebande #2)
Recap: The Leftovers ‘Off Ramp’ (Who Wants a Hug?)
“On The Leftovers, returning to your old self isn’t as easy as going from Point A to Point B, it’s a constant struggle and effort.”
FNC 2015 Review: ‘Transfixed’ (Alon Kol, 2015)
“The film reveals the importance of communication in love, but perhaps even more, the importance of empathy and understanding.”
We Failed This Film: Jorma Taccone’s ‘MacGruber’
A Column by Dylan Moses Griffin
Dudley’s World: The Unpopular Opinion – Movies Should Be Longer
“At its best, film allows viewers to see the world through another person’s eyes, and to live for a fleeting moment in somewhere unexpected and beautiful, so wouldn’t it be wonderful if the purity of that moment could last a just little bit longer?”
FNC 2015 Review: ‘Blonde aux yeux bleus’ (Pascal Plante, 2015)
“Blonde aux yeux bleus never feels anything but natural and organic, and it is working in the service of great and contradictory emotions.”