Album Review: WHIMM ‘A Stare Ajar’
“This is a trio dwelling on the sharp, atonal edge of post-punk”
Vague Visages Is FilmStruck: Ingmar Bergman’s ‘Summer with Monika’
“Undeniably the central focus of ‘Summer with Monika,’ Andersson’s overt sex appeal somewhat minimizes her remarkable range in the film, her seamlessly oscillating moods and subtle facial intimations.”
CIFF After Dark Review: Patrick Brice’s ‘Creep 2’
“Horror fans may need to adjust their expectations if they’re looking for more frights than laughs.”
New York Film Festival Review: Paul Schrader’s ‘First Reformed’
“The multi-hyphenate filmmaker’s latest seems to anticipate dissection: its formal austerity belies a haphazard, literary-minded indulgence.”
CIFF After Dark Review: Oliver Kienle’s ‘Four Hands’
“‘Four Hands’ is sublime and arresting in its imagery.”
CIFF After Dark Review: Giddens Ko’s ‘Mon Mon Mon Monsters’
“‘Mon Mon Mon Monsters’ actually inspires and entertains while pointedly dealing with a subject that hits close to home for many.”
Devious Dialogues: Mike Thorn and Anya Stanley on the ‘Child’s Play’ Franchise
Mike Thorn and A.M. (Anya) Novak look back at the series entries and provide their thoughts on the newest addition.
Review: Kazik Radwanski’s ‘Scaffold’
“Out of a fractured, tentative world, Kazik Radwanski created a strong and whole short film.”
Why I Wear the Mask: Tom Hardy’s Performances of Limitation
“Behind the mask, lurking within the timbre of the vocal choices, buried beneath the shaped physique, there is truth.”
Album Review: Melkbelly ‘Nothing Valley’
“Melkbelly is hard to pin down; their songs flaunt a flagrant disregard for what many would consider indie rock or punk or post-punk.”
London Film Festival Review: Léonor Serraille’s ‘Jeune femme’
“Dare I say it, but ‘Jeune Femme’ is as ripe for an American remake as any film I’ve seen on this year’s festival circuit.”
London Film Festival Review: Rungano Nyoni’s ‘I Am Not a Witch’
“Shot beautifully, with an imposing yet wholly appropriate classical soundtrack to match, ‘I Am Not a Witch’ is worth the watch.”
London Film Festival Review: Andrey Zvyagintsev’s ‘Loveless’
“Much like ‘Leviathan,’ the film is oppressively bleak.”
London Film Festival Review: Vivian Qu’s ‘Angels Wear White’
“Vivian Qu’s ‘Angels Wear White’ is another realist, slow cinema meditation on the social troubles in China.”
Disney Dreams in Sean Baker’s ‘The Florida Project’
“‘The Florida Project’ is a marvelous portrait of childhood that depicts how it feels to live on the fringes and just out of reach from The Happiest Place on Earth.”
London Film Festival Review: Dee Rees’ ‘Mudbound’
“‘Mudbound’ plays the game and begins with a white man, but, throughout the course of an epic tale, it arrives at a moving destination.”
Review: Denis Villeneuve’s ‘Blade Runner 2049’
“If time has the power to render every structure and memory as null, then here are the moments that define humanity; here are the moments that we hope to remember.”
London Film Festival Review: Todd Haynes’ ‘Wonderstruck’
“This kind of world recreation doesn’t come cheap, and it’s a delight to see a filmmaker of Haynes’ caliber given such a worthy budget.”
Album Review: O.R.B. ‘Naturality’
“The first two songs on ‘Naturality’ prove O.R.B.’s members have clearly got the chops to do something different with their doom-inspired template.”
London Film Festival Review: Andrew Haigh‘s ‘Lean on Pete’
“‘Lean on Pete’ hits the mark emotionally and reveals itself to be a poised, moving film.”